NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Thomas Mapfumo announces South African tour dates

04 Feb 2015 - 07:13

cc-img flag-img

Exiled Zimbabwean music icon Thomas Mapfumo will be touring South Africa in March 2015.

Thomas Mapfumo

Based for most of the past decade in Oregon in the USA, Mapfumo has not performed in his homeland of Zimbabwe since then, so his March performances with his band The Blacks Unlimited will no doubt be welcomed by the large community of Zimbabweans who currently call South Africa home, as well as his many other fans. Some of the only other chances to catch Mapfumo on African soil have come at performances in 2011 alongside Oliver Mtukudzi and more recently in early 2014, when we shared a stage with Jay Prayzah at the Ellis Park Arena in Joburg.

Thomas Mapfumo & The Black Unlimited’s ‘Danger Zone Tour’ will see them perform at the Bassline in Newtown, Johannesburg on 27 March, and the following night at the Dragon Room (aka Opium) in Cape Town. Opening both shows will be Zim-dancehall star Soul Jah Love. Tickets will set you back R250 for general admission and R400 for VIP. Book now at Computicket.

The Black Unlimited are: Christopher Muchabaiwa, Gilbert Zvamaida, Lancelot Mapfumo, Chakaipa Mhembere, Brooks Barnett, Dennis Dove, Joe Freuen, Richard 'Richey' Thomason, Eric Orem, Joe Manis and Eddie Delisio.

Affectionately nown as ‘the Lion of Zimbabwe’, 'Gandanga' or 'Mukanya', Thomas Mapfumo is one of Zimbabwe's most respected musicians. Born in Marondera in 1945, he began his career singing rock covers. In the 70s he formed the Blacks Unlimited and crafted his own style, known as Chimurenga. Imprisoned briefly as the war for independence raged, his message was that people needed to reclaim their traditional beliefs and culture. After independence, Mapfumo’s popularity grew, initially by singing the praises of Zim’s new leaders, later as their most vocal critic. In 1988, when government ministers were bust buying luxury cars with taxpayers’ money, he released ‘Corruption’. In 1999, he released 'Chimurenga Explosion', with hard-hitting songs like ‘Mamvemve’ (tatters) and ‘Disaster’. The album rose to the top of the charts in 2000, the year Zanu-PF was 'nearly' defeated at the polls. Rumours soon emerged that his songs were being pulled off the air. In June, police raided his home and confiscated three cars, claiming they’d been stolen in South Africa. The following month, Mapfumo and his family moved to Eugene, Oregon. He remains based in the USA and has only returned home a handful of times in the past decade, also performing occasionally in South Africa. His recent albums include 'Rise Up' (2006) and 'Exile' (2011).

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media