NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Tomi Owó doesn’t need to be heartbroken to write about heartbreak

25 May 2018 - 10:44

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Last week Tomi Owó released a video for her delightfully sober heartbreak song 'Linger', a slowburn depiction of a relationship at its end. She recently spoke to Music In Africa about her songwriting process, her musical influences, and her plans for the future.

To write 'Linger, singer Tomi Owó "drew from the emotion of heartbreak and not letting go".

Music In Africa: How did you start recording music?

TOMI OWÓ: I’ve always loved music and songwriting, so in 2015 I began making songs with my producer/brother, and then put out my first song, 'Pieces'.

You are generally considered to be out of the mainstream. Would you say it is incredibly difficult to remain true to your sound considering pop music's dominance? Have you been tempted to record some shaku shaku song, for example?

No, it isn’t difficult for me. I’m quite in my happy place. My musical output is largely innate, and is generally soulful, infused with sounds that evolve as I grow as an artist.

Are love songs your forte?

Not really. I’d write five songs about other things before I write one love song. However, most of the songs from my EP, Pieces, are love-angled, exploring pain and hope in love, not particularly the romantic side of things.

Your Nostalgia Sessions feature some wonderful songs stretched out across countries and decades—what inspired the idea? And if you were to pick one of your performances which would it be?

Nostalgia Sessions was inspired by every single artist I enjoyed listening to while growing up, and their amazing repertoire. Think Sade, Angelique Kidjo, Corinne Bailey Rae. We made acoustic covers of a few of these songs. If I could at the time, I’d have made more, because there were so many amazing songs to choose from. The sessions are my way of saying thank you to them for their music. My favourite from the sessions is 'You Gotta Be', by Des’ree.

Your song ‘Versus’ is a fan favourite. When do we get a video for it?

Thank you! Soon. It’s a special song and I and the team want to make sure the video is even more special.

You are a singer-songwriter. Could you walk us through the process of writing a Tomi Owó song?

Most times, I decide on the subject matter either by inspiration or conscious effort, identify my angle, and create from there, with the aid of my guitar or keyboard. Some I’ve written within an hour, some within weeks. Other times, my producer and I sit down and build the music, (with him at the computer doing most of the work while I talk away, of course) which I then write to.

Could you talk about how your new song 'Linger' came together and what were the influences?

I wrote 'Linger' for an audiovisual campaign for Samsung Nigeria, put together by HelaBase, creators of Afrocentric popular culture entertainment. I was given a few ideas to explore. After reviewing everything, I began writing. There were hardly any personal influences. I believe that one doesn’t need to be going through heartbreak to write about heartbreak. I drew from the emotion of heartbreak and not letting go to write 'Linger'.

The video is described as the product of Samsung and Helabase. Is this an ongoing collaboration?

The video for 'Linger' is audiovisual content that creates a cultural connect between the tech giant’s product and the Nigerian market. Music connects people, and with 'Linger', and other visuals created for this campaign, creators HelaBase are pushing the boundaries of what music can do. It’s an ongoing collaboration, and we have some more music in the works.

The video for the song was just released. Where you insistent on having a video that stayed true to the song’s lyrics in terms of mood and subject? How were you able to pull this off?

It was a very collaborative effort. The creative team for the project and mine worked with the same vision, ensuring that we got the best results possible.

What next for Tomi Owó?

I’ve been working on my debut LP, and I’m pretty psyched about it. It’s out this year.

Listen to more songs by Tomi Owó on Soundcloud.

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