NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Afrobeats songs of 2025

25 Mar 2025 - 12:17

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Afrobeats’ enduring popularity remains a source of pride for West Africa and the entire continent. Its global growth is undeniable, prompting top international artists to seek collaborations with African musicians, many of which have been remarkably successful. While the genre is often associated with established stars like Wizkid, Davido, Burna Boy, Tems, Rema, and Ayra Starr, there has been a meteoric rise of emerging talents such as Shallipopi, Seyi Vibez, Faceless, FOLA, and Fido, who continue to release outstanding Afrobeats music.

Asake.

Here is Music In Africa’s curated selection of the top Afrobeats songs of the year. As always, this playlist, featuring tracks from across the continent, will be updated throughout the year to reflect the latest and most notable releases.

‘Laho’ by Shallipopi

‘Laho’ marks Shallipopi’s inaugural release under his independent label, Plutomania Records. Since its debut, the track has made a significant impact on various charts. It entered the Global Shazam Chart at #17, topped Apple Music charts in 10 African countries, and secured a top-three position overall.

‘Baby’ (Is it a Crime)’ by Rema

The song showcases Rema’s versatility and knack for crafting unforgettable tunes across genres. Produced by P Priime, a key contributor to HEIS, the ‘Baby (Is it a Crime)’ beat cleverly incorporates subtle elements of Sade’s signature sound.

‘Venus’ by Faceless ft. Serøtonin

Following its release, ‘Venus’ has been trending and, dominating TikTok. It has become the soundtrack to viral dances, lip-syncs, and online buzz. A collaboration with Faceless Music, the track has quickly turned into a cultural phenomenon, cementing Serotonin’s status as one of Nigeria’s most exciting new artists to watch.

‘MARIO KART’ by Seyi Vibez

‘Mario Kart’ is a standout track from Seyi Vibez’s Children of Africa EP. The song has generated significant buzz in the Afrobeats scene, further cementing his reputation as one of Nigeria’s most promising artists.

‘MMS’ by Asake and Wizkid

The song is from Asake’s Lungu Boy album. It reflects on the transient nature of life, recognising that success and material things are fleeting, while also expressing gratitude to God for guiding him through life’s challenges.

‘WHY LOVE’ by Asake

Released via his independent label, Giran Republic, the single blends his signature sound, offering fans a glimpse into his evolving artistry. The official music video features influencer and model India Love Westbrooks, who plays Asake’s love interest. Their on-screen chemistry is evident, as they are seen adorned with diamond jewellery, dressed in coordinating army fatigue outfits, and covered in tattoos.

‘Update’ by Burna Boy

The song is the lead single from Burna Boy’s eighth studio album, No Sign of Weakness, and is accompanied by an energetic music video. Produced by P2J, the track features sharp, colourful percussion reminiscent of the African Giant era. It also incorporates a sample of British R&B band Soul II Soul’s 1989 hit, ‘Back to Life (However Do You Want It)’.

‘Piece of My Heart’ by Wizkid ft. Brent Faiyaz

The song marked Wizkid’s journey toward his seventh studio album, Morayo, and features American R&B artist Brent Faiyaz. Produced by P2J and Dpat, the track’s beat provides the perfect backdrop for Wizkid and Faiyaz to showcase their versatility and chemistry.

‘Be There Still’ by Davido

The song is the latest release from his album, 5ive. ‘Be There Still’, much like ‘Awuke’ and ‘Funds’, is a party-ready anthem, a style in which Davido excels. Co-produced by frequent collaborator Marvey Muzique, South African maestro DJ Maphorisa, and Nigerian house auteur, the track is a high-energy banger, packed with droning synths, bouncy percussion, and ricocheting log drums.

‘HAPPY SONG’ by Seyi Vibez

On this track, Seyi Vibez revealed that it was inspired by his deep love for Africa. He believes that all Africans share a common ancestry, originating from one woman. The song is influenced by house music, which he considers to have its roots in Africa.

‘Joy Is Coming’ by Fido

Released in December 2024, ‘Joy Is Coming’ quickly went viral on TikTok, where influencers widely used it in their videos. This organic buzz propelled the song to No. 1 on Apple Music Nigeria’s Top 100 and No. 5 on the U.S. Billboard Afrobeats Chart. The track seamlessly blends Afrobeats with highlife, captivating listeners with its rich melodies and compelling lyrics.

‘who does that?’ by FOLA ft. Bella Shmurda

As the opening track of the EP, the song follows the traditional Afrobeats format of starting with a narrative that reflects the artist’s journey—recounting struggles, perseverance through challenges, and ultimately achieving success.

‘All The Love’ by Ayra Starr

In this track, Ayra Starr embraces self-love, delivering a heartfelt anthem that arrived just in time for Valentine’s Day. First teased on social media, the song quickly gained traction, amassing over a million views and even catching the attention of SZA. The single marks Ayra Starr’s first release of the year, following an exceptional 2024, during which she unveiled her critically acclaimed sophomore album, The Year I Turned 21.

‘Whine’ by Asake ft. LUDMILLA

The dancehall-leaning Afrobeats track Whine was released a month after his hit single ‘Uhh Yeah’. Featuring Brazilian artist LUDMILLA, the song is accompanied by a vibrant music video directed by Rafael Carmo. Whine revolves around themes of attraction, romance, and embracing the moment with carefree energy. True to its essence, the video perfectly captures this lively and passionate vibe.

‘Awuke’ by Davido and YG Marley

The YG Marley-assisted single serves as yet another testament to Davido’s enduring presence in the music industry. ‘Awuke’ is a vibrant fusion of Afrobeats and amapiano, celebrating his deep infatuation with his love interest. The track delivers a love story that is both sweet and intense, showcasing Davido’s signature sound and emotive storytelling.

‘Obimo’ by Adekunle Gold

‘Obimo’ is a track that seamlessly blends Afrobeats, amapiano, and R&B influences. Beyond romance, the song explores love in its many forms, touching on themes of friendship, family, and community. Released just two days before Valentine’s Day, it is accompanied by a heartfelt music video co-directed by Adekunle Gold and Ceojay.

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