NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top amapiano songs of 2022

28 Feb 2022 - 16:42

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As we crossover the midway mark this year, South Africans are slowly wakening to amapiano’s staying power and dominance on local music charts and dancefloors across the country – a hard pill to swallow for some cynics who believe the genre’s popularity and cultural significance is waning.

Ami Faku, Young Stunna, Boohle and Kabza De Small.

Whether the music will feature prominently in the coming years only time can tell. The present time, however, presents an opportune moment to dig deeper into the dynamic soundscape and take stock of the latest releases that have impressed listeners in the country.

It is also worth noting now that the genre is becoming a beacon of hope and an important launchpad for breakthrough artists and genre-crossing musicians who have found more success since joining the amapiano bandwagon. They include serial hitmakers such as Uncle Waffles, Young Stunna, Kamo Mphela, Reason, and Major League DJs.

Below is Music In Africa’s updated Top Amapiano Songs 2022 playlist, which was first published as part of our annual playlist series in February. It boasts the latest music by the top musicians working in the amapiano scene.

M’nike by Konke and Musa Keys and Chley ft. SayFar

It is not only the stunning beats and inspiring vocals that make ‘M’nike’ so captivating, but also the choreography in the video.

Ba Straata by DJ Maphorisa & Visca ft. 2woshortrsa, Stompiiey, ShaunMusiq and Ftears

‘Ba Straata’ is a club and street banger by DJ Maphorisa and Visca, with support from 2woshortrsa, Stompiiey, ShaunMusiq and Ftears. The track features rap-inspired verses and is accompanied by visuals directed by Nigel Stockl.

Mina Nawe by Soa Mattrix

‘Mina Nawe’ is a love song by Soa Mattrix, Mashudu, Happy Jazzman and Emotionz DJ. What makes the track interesting is the powerful vocals by Mashudu. The record was composed and written by Mandla Mashakeni and Mashudu Mosoeu, with help from Happy Stephen, Thabo Mackenzie and Humphrey Owethu Mpila.

Nkantin by MacG ft. Sir Trill, Bailey and Emjaykeyz

Even though it was released towards the end of the year, ‘Nkantin’ has generated a lot of airplay, making it one of the top amapiano songs in 2022.

Hamba Wena by Deep London and Boohle

The powerful vocals in Boohle’s collaborations cannot be ignored. She collaborates with Deep London on 'Hamba Wena', creating one of the most compelling amapiano tracks of 2022.

Tanzania by Uncle Waffles and Tony Duardo ft. Sino Msolo and Boibizza

‘Tanzania’, which has been dominating local airwaves since it was released in March, attests to the 22-year-old DJ’s skill and talent, which have earned her instant stardom and success. She has caught the attention of local media and has become one of the most talked about DJs in South Africa.

Abo Mvelo by Daliwonga ft. Mellow & Sleazy and M.J

‘Abo Mvelo’ boasts long-time leading amapiano vocalist Daliwonga’s prowess with his rapid rhymes and lyrical delivery. He features duo Mellow & Sleazy fast-rising singer M.J – the group’s fellow stable mate at the Mr JazziQ-owned label Black Is Brown Entertainment.

Ghost by Kamo Mphela ft. Daliwonga and Felo Le Tee

‘Ghost’ is a statement to Kamo Mphela’s naysayers that the 22-year-old super talent is in it for the long haul. The influence of Michael Jackson’s block-busting classic hit ‘Thriller’ can be seen in the video with its compelling visuals and explosive choreography.

Chipi Ke Chipi by Mellow and Sleazy

Chipi ke chipi loosely translates to ‘a hard beat is a hard beat’ and is probably an early sign of disappointment for listeners with a penchant for lyrics. The heavy and repetitive instruments are reminiscent of the early amapiano sound. But the duo somehow make the song a hit among the lyrically heavy modern amapiano songs.

Ebusuku by Kabza De Small ft. Nkosazana Daughter

Affectionately known as the king of amapiano, Kabza De Small has been holding the weekend vibes with the release of this club banger back in April ahead of his upcoming album.

Ziwa Ngale by Kabza De Small ft. DJ Tira, Young Stunna, Dladla Mshunqisi and Felo Le Tee

Another constant feature on party playlists, this mid-paced tune is akin to an anthem among amapiano listeners, a relatively simple feat to pull off when working with contributors such as leading amapiano creators artist Young Stunna and Felo Le Tee, as well as house heavyweight DJ Tira.

Paris by Q-Mark and TpZee ft. Afriikan Papi

‘Paris’ has enjoyed a long run on the upper end of music charts in South Africa since the start of the year. Themed around the concepts of finding true love, getting married and jetting off to Paris for a honeymoon, the unhurried single features Q-Mark’s hooks and a strong verse from Afriikan Papi.

Dali Nguwe by Master KG ft. Nkosazana Daughter, Basetsana and Obeey Amor

A languid, sincere and contagious number which will sees fast-rising singer Nkosazana Daughter cement her position as a top vocalist in the amapiano community.

Banyana ke Bafana by Pabi Cooper

‘Banyana ke Bafana’ (Girls are boys) by Pabi Cooper has had a good run on local charts. In the song’s video, the artists fronts an all-female cast of her long-time friends, a particularly unfamiliar feat in the male-dominated genre.

Megalo by Reece Madlisa and Zuma ft. Spura and Classic Deep

Titled after the popular club in the township of Alexandra, ‘Megalo’ kick-starts the young duo’s journey for 2022, and promises much more from the talented music makers.

Adiwele by Young Stunna ft. Kabza De Small and DJ Maphorisa

‘Adiwele’ features poignant lyrics on a groovy track, giving the listener food for thought while still maintaining a vibrant vibe and holding its status as a worthy club hit.

Ameno Amapiano Remix by Nektunez and Goya Menor

Boasting a staggering 10 billion views on TikTok, the ‘Ameno’ remix went viral on social media following its release in July, being aggressively used to make memes and videos. The song, which offers the US-based Ghanaian producer’s take on the South African genre, has been well received and continues to command the airwaves.

Ngixolele by Busta 929 ft. Boohle

Amapiano hitmaking machine Busta 929, and Boohle, who is arguably the genre’s leading vocalist at the moment, have churned out a heat-melting number here, which has owned the ears of many fans of the genre. It has appeared in the top five on several charts for some time including RiSA’s streaming-based The Official South African Music Charts.

Asibe Happy by Kabza De Small and DJ Maphorisa ft. Ami Faku

After Ami Faku’s successful amapiano debut single ‘Abalele’, she teams up again with the amapiano heavyweight to deliver this anthemic and positive number, which reminds listeners to stay happy.

Umlando by 9umba ft. Sino Msolo, Young Stunna and Sir Trill

A retrospective number to be cherished for many more days in the future. The track pays homage to important figures who helped shape the genre.

Safa by Musa Keys and T&T MuziQ ft. Philharmonic

Released in mid-February, ‘Safa’ has become an instant hit within the amapiano movement. It would not be premature to count it among the biggest amapiano hits of the year.

Siyajola by Busta 929 ft. Almighty and Lolo SA

‘Siyajola’ is a contagious tune that can resonate with many couples who have been through the highs and lows of a relationship. This is at least according to the high rotation of the song across South Africa.

Ekhaya by Kabza De Small and DJ Maphorisa ft. Kevin Fellow

Impressive hits like ‘Ekhaya’ almost seem effortless when the Scorpion Kings put a talented singer on their beats. Here, Kevin Fellow's vocal flow attests to this.

Bopha by Mellow, Sleazy and Felo Le Tee ft. DJ Maphorisa, Madumane and Young Stunna

The long lists of collaborators featuring talented vocalists who each have their time to shine alongside top producers seems to be the status quo among the amapiano community. On this single, Young Stunna fills the role with his catchy hitmaking hooks.

Jola by De Mthuda ft. Sino Msolo and Da Muziqal Chef

‘Jola’ certifies De Mthuda’s production skills and eccentric musicality. Although often compared to Kabza De Small and DJ Maphorisa, his unwavering efforts and contributions, which have inspired a more soulful sound, is still somewhat underrated.

Siyathandana by Cassper Nyovest ft. Boohle and Abidoza

Genre-crossing rapper Cassper Nyovest is adamant about producing amapiano hits. ‘Siyathandana’ is off his follow-up amapiano album Sweet & Short 2.0. His knack for reworking classics tunes, in this case, Bob Sinclair’s ‘World Hold On’, coupled with the vocals of fast-rising singer Boohle, have given this single a long-running streak on the local music charts.

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