NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

# Jazz

Top American jazz artists to perform in Kenya

28 Sep 2018 - 09:11

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American jazz singers Dianne Reeves and Marcus Miller will headline the Safaricom Jazz Lounge on 18 and 20 October 2018.  

American jazz singers Dianne Reeves.

The first concert will be at the Uhuru Gardens grounds in Nairobi and will feature Italy’s Double Cut band and Kenyan guitarist Kato Change whereas the second concert will be at the Hell’s Gate National Park in Naivasha. Kenyan band, AdHoc will be the supporting act.

The two concerts have been organised by telecom company Safaricom in partnership with Music Works International.

Safaricom CEO Bob Collymore said that after the Safaricom Jazz Lounge, Miller will headline the Safaricom International Jazz Festival scheduled to take place from 11 to 17 February 2019.

“We are honoured to be yet again hosting one of the most influential jazz musicians in the world for the concerts in October. As we promised when we launched Safaricom Jazz in 2014, we will keep bringing world-class talent for Kenyan jazz fans,” he said.

For the Naivasha concert, Safaricom has partnered with Enashipai Resort to give the public affordable rates.

“We are glad to partner with Safaricom for this edition. It will be an opportunity for us to showcase Kenya to the performers from the United States and remind Kenyans what a beautiful country we live in,” Enashipai Resort boss Andy Muir said.

Change told Music In Africa that music performing platforms such as Safaricom Jazz Lounge and Roots Internationl's Thursday Night Live have popularised jazz music in Kenya.

“Kenyan jazz music is growing,” he said. “We are at a point where people are starting to appreciate and understand the diversity of this music today. Most Kenyan Jazz artists are fusing with so many traditional genres. I can comfortably say that Kenya is slowly getting its own Jazz identity.”

Change spoke about the importance of exposing musicians to a global stage.

“Watching great musicians on YouTube is different from experiencing them live," he said. "Safaricom has exposed many local musicians to the international standards by giving them the opportunity to perform with the best from around the world. This has inspired us to up our standards and keep pushing to make the jazz scene better.”

Proceeds from the ticket sales will be donated to the Ghetto classics music programme, which has been the Safaricom Jazz beneficiary since 2014 and has so far received about 60 million Kenyan shillings ($) and benefited over 1 400 poor youth from Nairobi and Mombasa.

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