NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top bongo flava songs of 2020

13 May 2020 - 15:13

cc-img flag-img

Some critics of the Tanzanian music scene say that bongo flava is no longer dependent on authenticity and artfulness. Despite these thoughts, the genre is still the most dominant sound in the country and East Africa. 

Nandy, Harmonize, Rosa Ree and Diamond Platnumz.

Bongo flava artists and producers continue to work hard at their craft in a genre that commands a huge following, with collaborations being one of the biggest forces driving this industry today.

We have curated a playlist of some of the best Tanzanian songs of 2020 featuring popular artists like Diamond Platnumz, Nandy and Harmonize.

Jeje by Diamond Platnumz

Diamond Platnumz this year clocked three million subscribers on YouTube. He also registered over 900 million views on YouTube ahead of Nigeria's Wizkid, Burna Boy and Davido, who each have over 792, 429 and 543 million views, respectively. ‘Jeje’ was released on 26 February.

Dodo by Alikiba

Dodo is a Swahili word for a ripe mango. The word dodo is being used metaphorically to refer to a woman who is ready for marriage. The song was co-written by Tommy Flavour and Alikiba. Popular Tanzanian model and actress Hamisa Mobetto features as the video vixen.

Nazichanga by Rosa Ree ft. Roberto

Rapper Rosa Ree and Roberto team up making 'Nazichanga’ a rare Zambia-Tanzania collaboration.

Teamo by Rayvanny ft. Messias Maricoa

‘Teamo’ was released four days before Valentine’s Day. The love song features Mozambique’s Messias Maricoa.

Unanikosha by Marioo

This is a song about a man praising his woman. 'Unanikosha' was produced by Mocco Genius and the video was directed by Adam Juma.

Tamba by Mbosso

‘Tamba’ is a love song by Mbosso released on 22 March. The audio was mixed and mastered by Tanzanian sound engineer Lizer Classic. The artist is one of the top signees of the Wasafi Classic Baby record label.

Kata Remix by Ommy Dimpoz ft. Nandy, Khaligraph Jones and Redsun

‘Kata Remix’ is a faster, club-type song. It was originally released by Ommy Dimpoz and Nandy on 3 January. This remix was released on 31 January and features two Kenyans – rapper Khaligraph Jones and dancehall star Redsun.

Wana by Zuchu

This release marked Zuchu's debut under the management of Wasafi, which is headed by Tanzanian heavyweight Diamond Platnumz.

Bedroom Remix by Harmonize ft. Darassa, Country Boy, Young Lunya, Moni, Billnas, Rosa Ree and Baghdad

Harmonize revisits his recent album Afro East as he serves up the remix for the song ‘Bedroom‘. The song was produced by Hunter.

Na Nusu by Nandy

The crossover success of Nandy should be no surprise. In less than two years, she collaborated with top Tanzanian and Kenyan artists such as Willy Paul and Sauti Sol, expanding her audience in East Africa. She is presently the top most popular female singer in Tanzania. The video was released on 28 February.

I Like It by Darassa ft. Sho Madjozi

Darassa features South African sensation Sho Madjozi on 'I Like It', and together they show us that it is still possible for an uptown girl to fall in love with a ghetto boy. The audio was produced by Abbah Process while the video was directed by Yoza Mnyanda.

Why Now by Navy Kenzo

‘Why Now’ is a slow love ballad, and its video doesn't attempt to bite off more than it can chew. It's refreshing to see simple ideas executed well.

Achia Remix by YJ ft. Ney wa Mitego, Stamina and Mr T Touch

‘Achia Remix’ carries an infectious groove to energise Nay wa Mitego’s and Stamina‘s rap skills. The two are presently among the top most significant and well-liked rappers in East Africa. Mr T Touch delivered the chorus and YJ produced the beat. The video was released on 2 February.

Hainistui by Harmonize

Harmonize addresses specific criticisms that shadow him online since he left the Wasafi Classic Baby label in 2019. The track is about knowing what is best for yourself, regardless of outside counsel, and looking forward to the bigger opportunities will come one's way.

'Jeshi' by Harmonize

The 29-year-old is at the top of his game. Besides the commercial success of his music, he is the ambassador of soft drinks manufacturer, Sayona, CRDB Bank Plc and Mastermind Tobacco Limited in Tanzania. 'Jeshi' was released in August.

'Dangerous' by Joh Makini ft. Nahreel

The song is about a man who has fallen for a bad girl, and even though he knows she is going to break his heart, it doesn't stop him from lusting after her. The audio was produced by Nahreel and video directed by Ivan.

'So Hot' by Alikiba

Ali Kiba was the first East African to ink a deal with Sony Music Entertainment in 2016 and is famous for his best-selling 2007 album Cinderella. 'So Hot' was released under the singer's record label, Kings Music Records. The music video was directed by Elvis from Rockshot.

'Amaboko' by Rayvanny ft. Diamond Platnumz

There may be a few occasions Rayvanny has come short of delivering a spectacular song, but 'Amaboko' is certainly not one of them. The chart-topping single is groovy and the video, as everybody expected, is filled with variations of choreographed dance styles. Amaboko is a Kinyarwanda word which means hands.

'Sina Nyota' by Mbosso

'Sina Nyota' sees Mbosso praise the beauty and simplicity of his lover. The singer’s usual melodious voice and the taarab influenced beat doubles up the delight. The release comes three months after he was named the Africa Fans Favorite Fresh Talent at the 2020 HiPipo Music Awards.

'Acha Lizame' by Nandy ft. Harmonize

One of Tanzania's most famous female singers joined forces with renowned bongo flava star Harmonize who features on her song, 'Acha Lizame'. The collaboration centres on a steamy back-and-forth between the two love birds who paint a lovemaking scene with erotic lyrics.

'One Night Stand' by Ibraah ft. Harmonize

Released under the Konde Music Worldwide, the name of Harmonize's record label, 'One Night Stand' also features the vocals of the label's latest signee, Ibraah. No marks for guessing what the song is about.

'Mpaka Kesho' by Harmonize

'Mpaka Kesho' is another hit from the singer and it is about lost love. His songs can sometimes bring you down to tears as quickly as they can draw you to the dance floor. The single is off his Afro East album that was released in March 2020.

'Ngongingo' by Rayvanny and Baba Levo

The song has received a lot of traction online with many stating that it pays a loving tribute to a woman's behind – that it's lighthearted. But every time a woman is atomized into parts, the public is encouraged to ignore important things about her, like her talents and positive contribution to society. It's time we started thinking about women as more than a sum of parts.

'AAH WAP!!' by Whozu ft. Baddest 47

Whozu launched his career as a comedian before venturing into music in 2018. The song rides on a heavy beat and is the kind of songs you hear in the club in the wee hours of the morning when things go from dirty to ratchet.

‘Mediocre’ by Alikiba

The local fans and the media have called out the song as a diss track to his rivals Diamond Platnumz and Harmonize. Alikiba declares himself the king of bongo flava he says the two should stop focusing too much on public stunts and endless controversy on social media, which all amounts to mediocrity.

'Litawachoma' by Zuchu ft. Diamond Platnumz

The song is yet another enjoyable single by the newest bongo flava sensation in which she features Diamond Platnumz. The romantic scenes appear to have taken the shine of the song as reactions from the public have been centred on the theme.

‘Cheche’ by Zuchu ft. Diamond Platnumz

Zuchu is known for writing songs that are quite personal. The lyrics in this collaboration with Diamond Platnumz led fans to speculate whether they could be romantically involved. The song is a story about the intimacy that sparks between two people at the beginning of a relationship and the chemistry they share.

‘Sexy Mama’ by Lava Lava ft. RJ The DJ

Women and their looks remain a favourite topic for pop music. The lyrics compliment several women in East Africa for their physical beauty. The song reflects reality because beauty does come in all types of packages. But they say beauty is in the eye of the beer holder.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media