NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top East African songs of 2021

15 Feb 2021 - 08:20

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Last year was a particularly challenging one for artists: the live music industry was one of the first to shut down, and it seems like it will be the last to reopen.

Diamond Platnumz, Rema Namakula, Alikiba, Nadia Mukami and Otile Brown.

As we get into 2021, there are many questions about what will unfold in the coming months. Will live concerts and festivals return by the end of the year? How will virtual events evolve? Despite this uncertainty, artists haven’t stopped releasing new music, and, as always, Music In Africa has delved deep into Africa’s main regions to curate dynamic playlists with new music.

In this playlist, we look at East Africa and the most notable songs that have come out of countries like Kenya, Tanzania, Uganda, Rwanda and Burundi. We will update this playlist on a regular basis, so make sure you bookmark it for your constant listening pleasure.

Wavy – Khaligraph Jones ft. Sarkodie (Kenya/Ghana)

Khaligraph Jones has been a growing force in Kenyan hip hop for about a decade. This collaboration with one the continent’s most revered rappers, Ghana’s Sarkodie, places him at the centre of East Africa’s hip hop scene.

Sukari – Zuchu (Tanzania)

Zuchu is the latest flower to blossom from the Wasafi Classic Baby label. ‘Sukari’ is a love song and has been popular with TikTok users in the region. While her vocals place her at the top of Tanzania’s bongo flava scene, it’s Zuchu’s songwriting prowess that enables her to dominate the charts. Last year, Boomplay announced that her debut EP I Am Zuchu was the most played album in Tanzania. Last month, the BBC listed her as a music star to look out for in 2021.

This Is Love – Rema Namakula and The Ben (Uganda/Rwanda)

Rema Namakula is one of Uganda’s most positive and candid lyricist. Her songs frequently explore modern relationships. With close to a decade in the industry, she has built an immense social media following. ‘This Is Love’ is a ballad and her first single of the year, featuring celebrated Rwandan singer The Ben.

In Love – Otile Brown ft. Alikiba (Kenya/Tanzania)

Crowned Kenya’s love doctor due to his love-themed compositions, Otile Brown features Tanzania’s Alikiba on this hit. The two artists are mesmerised by their lovers’ beauty and struggle to find the right words to describe how precious they are.

Buligita – Fik Fameica (Uganda)

Fik Fameicahas been a rising talent for a few years and has scored collaborations with well-known artists from across Africa, including Patoranking and Joeboy. ‘Bulingita’ is the latest in a string of hit singles that have dominated Uganda’s airwaves. The song is about a woman he has fallen in love with called Buligita. Sasha Vybez directed the music video while Bomba Music produced the audio. Like Zuchu, Fik Fameica was recently listed by the BBC as a musician to look out for in 2021.

No Promise – Kemg KingFace (Rwanda)

Kemg KingFace is a young rapper and visual artist. He stepped into the spotlight last year with his debut single ‘No Promise’, whose visuals were released in late December. With the song, he has cemented his status as a newcomer to watch in the East African hip hop scene.

Kolo – Nadia Mukami ft. Otile Brown (Kenya)

After a month of teasing a possible collaboration, Nadia Mukami and Otile Brown finally delivered ‘Kolo’. The two display their strong songwriting on this track, which fans have taken note of since their emergence. One wonders why they didn’t link up earlier.

Infidèle – Alikiba (Tanzania)

A brutally honest lyricist, Alikiba is one of the region’s few artists who have managed to stay relevant despite being in the industry for close to two decades. ‘Infidèle’ is one of those songs that simultaneously forces a smile and tighten your throat with sadness. It tells the story of a man who discovers that his girlfriend has cheated on him with multiple men. He confronts her, but she plays the victim. The lyrics, which are delivered in English and French, capture the heartache caused by infidelity. This is juxtaposed with a catchy melody, urging the listener to put the song on repeat.

Nairobi – Bensoul ft. Sauti Sol, Nviiri the Storyteller and Mejja (Kenya)

Bensoul has already cemented his status as one of Kenya’s top newcomers. On ‘Nairobi’ he recruited well-known acts including popular band Sauti Sol, which contributed star power towards the track’s success. If he keeps making addictive hits throughout the year, he will have to adapt to life as a superstar.

Shusha – Baba Levo ft. Diamond Platnumz (Tanzania)

Baba Levo and the region’s biggest artist, Diamond Platnumz, team up to address their critics in the industry. While this track is a hit, the video also delivers high production value.

Leila – Masterland (Burundi)

Masterland is a Burundian record producer and recording artist. ‘Leila’ follows the release of ‘Ndagufuhira’ featuring Miss Erica in November last year.

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