NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Top French honour for Ethiopia’s Mahmoud Ahmed

22 Jul 2016 - 07:17

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Renowned Ethiopian singer Mahmoud Ahmed has been awarded one of the highest honours of France, the Ordre des Arts et des Lettres (the Order of Arts and Letters), at a ceremony held at the Residence of the French Ambassador to Ethiopia in Addis Ababa on Tuesday 19 July.

Ethiopian artist Mahmoud Ahmed. Photo: www.respectfestival.rachot.cz

The musician was honored for his prominent representation of the culture of his country and for being an emblem of the strong links between Ethiopia and France in the field of arts and culture.

The 75-year-old Mahmoud Ahmed has been a central figure on the Ethiopian music scene for decades. Born in Addis Ababa's Mercato district, Mahmoud was enthralled with the music he heard on Ethiopian radio from an early age. One night in 1962, when the Imperial Body Guard band's singer didn't show up, Mahmoud asked to sing a few songs. He soon became part of the band's regular line-up, where he remained until 1974. He subsequently performed with various bands but it was in 1986 that his music reached a wider audience when Belgian label Crammed Discs released the collection Ere Mela Mela, drawn from two Kaifa LPs that Mahmoud had recorded in Addis with the Ibex Band a decade earlier.

Mahmoud Ahmed’s body of work – including landmark recordings like Almaz, Alemye, Ere Mela Mela and Tezeta - is not only part of his personal legacy but also part of a wider heritage collection; a valuable part of Ethiopia’s musical history and cultural heritage. In 2007, Mahmoud was the recipient of the BBC World Music Award. In 2015 he embarked on a world tour with French group Badume’s Band, which has been touring with him for more than 10 years, also backing other Ethiopian veterans such as singer Alemayehu Eshete.

France's equivalent to a knighthood, the Ordre des Arts et des Lettres (Order of Arts and Letters) was established in May 1957 by its Ministry of Culture. Its supplementary status to the Ordre national du Mérite was confirmed by President Charles de Gaulle in 1963. Its purpose is to recognise significant contributions to the arts, literature and film. Other musicians to have received the honour over the years include Bono, Ringo Starr, Quincy Jones, Elton John, Dexter Gordon, Van Morrison, Philip Glass and South Africa's Johnny Clegg.

The French Ambassador to Ethiopia, Brigitte Collet, bestowed the insignia of Officer of the Order of Arts and Letters upon Ahmed. Lauding the artist for his dedication to music, the French ambassador remarked: "Your contribution to Ethiopia and world music is tremendous. You have laid the foundations for an original music which synthesizes the most diverse influences - soul, rock, funk, jazz and so on, with, of course, traditional Ethiopian melodies."

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