NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Kenyan songs of 2022

23 Sep 2022 - 08:19

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The Kenyan music scene has been abuzz in 2022 with the sector returning to full action after a two-year lull due to the COVID-19 pandemic.

Kenyan artists Bien-Aime Baraza, Sanaipei Tande, Wahu and Mejja.

With more opportunities for performances opening up, Kenyan artists have been trying to outdo each other, churning out new music. And with the amount of creativity and talent on display, it has been a battle royal between upcoming artists and existing ones.

The outcome has been a list of songs that you should definitely check out. So, as the year moves slowly towards its tail end, we take a look at some of the musical offerings the good people in ‘the 254’ have been getting down to... so far.

Kai Wangu – Nadia Mukami ft. Arrow Bwoy

Nadia Mukami and Arrow Bwoy celebrate the birth of their son in this amazing ode to good parenting.

Tamu Walahi – Willy Paul

On this bongo flava-esque track, a smitten Willy Paul expresses his undying love for his romantic interest in ways only a crooner of his standing can.

Awicko – Nyamwalo ft. Prince Indah

This hit, which has taken Kenya by storm, continues to showcase the massive popularity of the Luo benga subgenre.

V-Be – Sasa Hivi ft. Ashley Music

This easily qualifies as love song of the year. Top vocals. Top lyricism.

Kuna Kuna – Vic West ft. Fathermoh, Savara, Brandy Maina & Thee Exit Band

An energetic club banger that will no doubt dominate many a party playlist beyond 2022.

On Yah – Nikita Kering'

Warm vocals and unique arrangement deliver a laid back track in keeping with the high standards that have come to be expected of the young singing sensation.

Mbona – Khaligraph Jones

Since its release in July, the jam has taken over Kenyan airwaves by storm. A hip hop powerhouse, Khaligraph Jones has been nothing but a revelation since he entered the game, with hits like ‘Yes Bana’, ‘Hao’, ‘Wavy’, ‘Tuma Kitu’, and more to his name. ‘Mbona’ delivers distinguished visuals and great rap flow, and it is easy to see why it has accrued millions of views on YouTube.

Mbwe Mbwe – Bien-Aime Baraza ft. Aaron Rimbui

Rumba music in Kenya is mostly associated with the old and pot-bellied. But in ‘Mbwe Mbwe’, Bien and Rimbui attempt to remake the sound to appeal to all ages, and they succeed immensely. The song is a reflection of Bien’s adaptable skills, and perhaps why he should be declared a national treasure. ‘Mbwe Mbwe’ continues to be the most played song this year despite being released late last year.

Woman – Otile Brown ft. Harmonize

Otile Brown is Kenya’s most beloved artist. It could have something to do with his voice or easygoing nature. Whatever it is, his fans are loyal. In 2017, when he released his debut album Best of Otile Brown, music critics were amazed by his talent as he completely revolutionised Swahili R&B. ‘Woman’, like most of his hits, is a love anecdote. Here, he partners with Tanzanian star Harmonize to keep it bongo.

Dimension – Fully Focus ft. Bien-Aime Baraza

Kenyans automatically assume that ‘Dimension’ is a track by Bien because he does the hook, verse and chorus. However, the track is by Fully Focus, who, unknown to many, is a DJ, promoter and producer. ‘Dimension’ is his first song, and with over a million views in just two months, it is without a doubt a certified club banger.

Geri Inengi (Subaru ya Mbaru) – Wakadinali ft. SirBwoy

One would be forgiven for thinking that this is a party anthem given the way it has dominated the streams this year. Yet this hit, which describes the testy relationship between Nairobi’s unemployed youth and the police, is a testament to how clever lyricism can help relay a serious message to even the most unlikely audience.

Kanairo Dating – Mejja

‘Kanairo Dating’ is a few weeks old but is inching towards a million views. Mejja is in his element as he breaks down the Nairobi dating life, listing the different kinds of women a man is likely to encounter in his search for true love.

Sweet Love – Bahati and Diana B

This couple grasps the power of PR. Some interpret their moves as clout chasing, while others see it as a well-calculated way to stay relevant. Whatever your thoughts, Bahati and his significant other do manage to pull off an outstanding performance on ‘Sweet Love’.

Toto – Willy Paul

Despite his love-hate relationship with the Kenyan public, Willy Paul has always been a top talent. Even though fans know him as a great vocalist, ‘Toto’ confirms it.

Back It Up – Nameless and Wahu

This is not the first time this Kenyan power couple has hit the studio together. The lovebirds are known for hits like ‘Feeling’, ‘Deep’, ‘Inspire’, ‘My Everything’ and ‘Te Amo’. On ‘Back It Up’ the chemistry between Nameless and Wahu is undeniable.

Inauma – Bien-Aime Baraza

In another highly successful solo effort, Sauti Sol frontman Bien points out the heartbreaking nature of unrequited love.

Jali – Sanaipei Tande ft. Nyashinski

Few artists in Kenya have the staying power of Sanaipei Tande. After her first band Sema disbanded, she never looked back and remains a permanent fixture in the Kenyan entertainment scene. Her performances with Otile Brown were the best yet... until she released ‘Jali’ featuring Nyashinski.

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