NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top maskandi songs of 2026

05 Mar 2026 - 14:12

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By Siphokazi Ndlovu and Sisi Nkabinde

South African maskandi music continues to gain momentum, attracting both long-time followers and a younger generation of listeners. Since November 2025, a number of tracks have performed strongly across streaming platforms and social media, highlighting the genre’s growing reach and renewed visibility in the contemporary music landscape.

Khuzani.

While new musical styles continue to emerge, maskandi has experienced a notable resurgence, driven by established performers as well as a new wave of artists. The following selection highlights some of the tracks that have drawn attention since late 2025, reflecting the storytelling, guitar-driven sound and cultural identity associated with the genre.

The list will be updated throughout the year to include the latest releases.

'Umaqondana' by Feza

Feza opens the list with a track that combines emotive lyrics with intricate guitar arrangements. The song’s steady rhythm and expressive vocal delivery have contributed to its growing popularity among listeners. Since late 2025, the track has continued to gain traction across streaming platforms.

'Izintaba Zokhahlamba' by Mphathiwohlelo MC, Shenge Wasehlalankosi and Mjolisi

This collaboration brings together traditional maskandi elements with a contemporary approach. The combination of vocal interplay and layered guitar melodies creates a rich soundscape. The track has resonated with both radio audiences and digital listeners.

'Njengamajuba' by Skweletu

Skweletu’s lyrical style and detailed guitar work are central to this release. The track balances the emotional depth associated with maskandi with a polished modern production style, helping it appeal to a broader audience.

'Umanikanikana' by Khuzani

Khuzani delivers energetic vocals and lively guitar riffs in this upbeat track. The song’s narrative themes and rhythm have contributed to its increasing popularity since its release, reflecting the continued relevance of maskandi in today’s music scene.

'IVALENTINE' by Skhanga and Shenge Wasehlalankosi

'IVALENTINE' combines classic Maskandi instrumentation with contemporary production. The collaboration between Skhanga and Shenge Wasehlalankosi has attracted significant attention on streaming platforms, demonstrating the genre’s ability to adapt while maintaining its core musical identity.

'Ukhethe Mina' by Ntencane

Ntencane presents a song characterised by expressive vocals and melodic guitar lines. The track has resonated with listeners and reinforces the artist’s growing reputation within the modern maskandi movement.

'Dubai' by Mthandeni and MaWhoo

Mthandeni collaborates with MaWhoo on this high-energy release that blends traditional maskandi rhythms with modern influences. The track achieved notable streaming success shortly after its release, reaching one million streams within 24 hours.

'ISAZOCHOMELANA' by Inkos’yamagcokana and Boohle

This collaboration with Boohle offers a smooth and soulful interpretation of maskandi. Boohle’s vocal performance, combined with the song’s memorable instrumentation, has contributed to its strong reception among listeners.

'Lona Ngowami' by Mjolisi

Mjolisi continues to build momentum with this emotionally driven track. The song highlights his distinctive guitar style and narrative songwriting, earning attention across streaming playlists.

'STOP and GO' by uMnotho and JIKIJIKI

uMnotho and JIKIJIKI explore a fusion of maskandi roots with contemporary sounds in this release. “STOP and GO” reflects the emergence of new voices within the genre while remaining connected to its cultural foundations.

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