NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top SA house songs of 2023

29 Mar 2023 - 08:55

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Although amapiano is currently dominating the South African music scene, house music retains an important place in the local music scene, with many artists still releasing new music and winning top awards through the genre – including big names like Oskido, Master KG and Heavy-K. After all, amapiano is an offshoot of house, which has been a serious force in South Africa for decades. 

Oskido, Nkosazana Daughter, Master KG and Busiswa.

In honour of the genre, Music In Africa has compiled a playlist of the top SA house songs making their rounds in 2023. As the year progresses, the below playlist will be updated for your continuous listening pleasure.

Thando by Wanitwa Mos, Master KG & Seemah ft. Lowsheen

The versatility of Master KG has made him a major force in the South African music industry, making music in both the amapiano and house genres. With powerful vocals by Lowsheen and well-arranged beats, ‘Thando’ is a love song that is perfect for any romantic occasion.

Mangihlale by Casswell P & Master KG ft. Lwami

This track is doing well on digital platforms thanks to the high-status collabo of Casswell and Master KG. It is best to listen to Mangihlale while on a long drive, but be careful of speeding.

Amaphiko Ezono by Prince Kaybee ft. Azana

The song is off Prince Kaybee’s 12-track Music Theory album. On this beautiful track, Prince Kaybee borrowed Azana’s vocals to create one of the most melodic tracks of the year.

‘AmaMiliyoni’ by Heavy-K ft. Meez and Professor

The record is off Heavy-K’s seven-track offering The Underrated King. The song was released in December and features Meez and Professor.

‘Ngizimisele’ by Oskido & Nkosazana Daughter ft. X Wise

With the help of talented 21-year-old singer Nkosazana Daughter, veteran producer Oskido proves that he’s a dominant force. With X Wise on board, the track is no doubt one of the reasons why house music is here to stay. It is off Oskido’s seven-track Listen to the Kids EP, which was released in November 2022.

‘Ithuba’ by Oskido & Yallunder ft. X-Wise & Nhlonipho

The song is about a lover who pleads for a second chance. While Oskido’s beats slightly lean towards amapiano, he successfully managed to maintain his allegiance to pure house.

‘Eloyi’ by DJ Ngwazi ft. Joocy and DJ Tira

DJ Ngwazi’s ‘Eloyi’ is off his 10-track Morata album released in November. The record is licensed under Master KG’s Wanitwa Mos Entertainment record label and features Joocy and DJ Tira.

‘Nqabile’ by Master KG ft. Simmy and Lowsheen

Master KG features talented songbird Simmy on this powerful house track. It is taken off Wanitwa Mos Entertainment’s five-track EP Wanitwa Mos Exclusives.

‘Sathane’ by Oskido, Deep Sen and KingTalkzin ft. Mthandazo Gatya

Produced by Legend Live Records, ‘Sathane’ is another track taken off Oskido’s latest EP. While Mthandazo Gatya, Deep Sen and KingTalkzin’s efforts are undeniable, its Oskido’s rap verse that stands out the most on this track.

‘Ngithwale’ by Master KG and Nobuhle

‘Ngithwale’ is a collaboration between Master KG and Nobuhle, whose vocals cement her presence in the local scene.

‘Bambezela’ by Heavy-K ft. Mashudu

With Mashudu’s help on vocals, Heavy-K gets to unleash this timeless banger, which is off the The Underrated King album.

‘Ngingowakho’ by Casswell P ft. Master KG and Nkatha

Originally released in early December, this song has become a favourite club banger.

‘Inyaniso’ by Mpho.Wav ft. Bukeka

You need to watch your speed if you’re listening to this track on the road. Featuring Bukeka, ‘Inyaniso’ can make just about anyone lose control.

‘Asambe’ by Busiswa ft. DJ Khao and Kaybee

Busiswa’s talents are many, with this video featuring incredible choreography. While maintaining the local house signature, the crossover ‘Asambe’ also borrows from amapiano.

‘Jabula’ by Heavy K ft. Aymos, Caiiro and Ndoni

‘Jabula’ is another song from Heavy-K’s latest album, which shows his current dominance in the house scene. No major award has yet been bestowed upon the 31-year-old artist, but this should change soon.

‘Amazwi’ by Skye Wanda

After her 2021 Eighty6 album, Skye Wanda released ‘Amazwi’ in late 2022. The song is accompanied by a video, which was directed by Slowman.

‘Dakiwe’ by Heavy K ft. Bailey and JNR SA

With help from Bailey and JNR SA, this fast-tempo song would benefit from some talented, so we’re hoping Heavy-K will consider making a video for it.

‘My Person’ by Oskido ft. Ze2, Deep Sen and King Talkzin

‘My Person’ is another track off Oskido’s 2022 EP. It is Ze2’s superb vocals that stand out the most in this love song.

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