NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Townsend Music launches new D2C store and exclusive vinyl series

10 Mar 2026 - 12:02

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UK-based direct-to-consumer (D2C) music retailer and distributor Townsend Music has launched a redesigned music store alongside its Townsend Exclusive Vinyl offering, building on a year in which it powered three UK number-one albums and 26 Top 10 campaigns, achieving an average 34% week-one market share.

Townsend Music’s Bruce Mckenzie and Mike Walsh.

The Northern England-headquartered independent company said the new store features a proprietary platform with an integrated service model and real-time data dashboard. Townsend described the development as part of its ongoing focus on supporting artists’ direct-to-fan campaigns and expanding physical sales.

The Townsend Exclusive Vinyl series will include limited-edition releases, predominantly pressed by Record Industry, the only pressing plant in the world with all vinyl manufacturing facilities under one roof. Initial releases include Van Morrison’s ‘Somebody Tried to Sell Me a Bridge’ (1 000-copy 180-gram smokey black and gold double vinyl) in partnership with Orangefield Records, and Frank Turner’s ‘Campfire Punkrock’ 20th Anniversary Edition (500-copy 180-gram yellow flame vinyl) in partnership with Xtra Mile Recordings. Turner’s release also includes six bonus live tracks available digitally through Townsend’s platform.

In 2025, Townsend’s network of more than 1,000 artist and label D2C stores drew 8.1 million unique visitors, with daily customer order fulfilment averaging 1 200 per day. The platform reportedly captured, on average, 1 000 new fans daily into artists’ own databases, achieving conversion rates 2.6 times above industry benchmarks. Artists supported include Barry Can’t Swim, The Black Keys, Blossoms, D-Block Europe, Gary Numan, Jorja Smith, Leigh-Anne, Kylie Minogue, Noel Gallagher, The Prodigy, and Shed Seven.

“Through investing in this new iteration of the Townsend store, we are proud to support talent – from rising to established – in giving fans the best music and merchandise experience, and ultimately creating long-term value,” Townsend Music sales director Bruce McKenzie said. “Kicking off the Townsend Exclusive Vinyl series with two great singer-songwriters in Van Morrison and Frank Turner is the first iconic chapter here, with more special products to come from much-loved artists across a spectrum of genres.”

Townsend Music operations director Lucas Barr said: “We pride ourselves on being a secret weapon, acting as an extra team member on each artist campaign, always striving to provide best-in-market service for our clients. Bringing the next stage of Townsend Music’s evolution to our existing artist and label stores, and beyond, reinforces our commitment to being a trusted collaborator, helping our clients achieve many more cultural and chart milestones.”

Townsend highlighted several chart successes in 2025, including number-one album campaigns for Kylie Minogue, The K’s, and The Lottery Winners. Other Top 5 campaigns included D-Block Europe, The Darkness, Deacon Blue, The Divine Comedy, James Morrison, The Kooks, Laufey, Olly Murs, Richard Ashcroft, The Royston Club, The Sherlocks, Suede, Steven Wilson, and Wombats.

Client testimonials underline Townsend’s influence on campaign performance. Tom Newman, Head of Frontline Releases at Cooking Vinyl, said: “Townsend Music has been our go-to D2C platform, and has been an integral part of executing high-charting album campaigns for the likes of Blue, The Darkness, Shed Seven, and many more. The team there are a big part of the reason our campaigns are so slick.”

John Fairs, manager to The Prodigy, added: “We have worked with Townsend for 15 years, Bruce and the team are magic, as is their platform.”

Industry data indicates strong growth for physical formats in the UK. ERA reported that vinyl now accounts for over 9% of total music spending, contributing to an 18th consecutive year of growth. Combined spending on vinyl, CDs, and other physical formats rose 11.5% year-on-year to £368m, with overall retail sales of music reaching £2.45bn. LP sales grew 13.3% to over 8 million units in 2025, generating £232.2m at retail.

Founded in 1978 in Great Harwood, Lancashire, Townsend began as a record shop and gradually expanded into a D2C platform for artists and labels, now operating in 18 countries for physical sales and 12 for digital. Townsend was acquired by Dutch company Artone in 2024 and is part of the Official UK Charts Committee.

The new Townsend Music Store and Exclusive Vinyl series are available now.

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