NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Travel grants for music professionals

06 Mar 2015 - 11:31

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The Music Mobility Fund is a funding mechanism that offers opportunities for South African musicians to undertake live music tours. Music professionals are invited to apply for funding from a National Mobility Fund (for projects in South Africa), and a Regional Mobility Fund (for projects taking place in other SADC countries).

Madala Kunene

The Fund is administered by Concerts SA, a joint South African/Norwegian project housed under the auspices of the Stakeholder Hub within the SAMRO Foundation. Concerts SA receives financial, administrative and technical support from the Norwegian Ministry of Foreign Affairs, SAMRO and Concerts Norway. The project aims to support the growth of the live music sector in South Africa through research, skills development, competence building and, through its work with venues and promoters, develop regular, sustainable performance platforms. It also aims to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools.

Initiated by the British Council’s Connect ZA programme and The SAMRO Foundation, the Music Mobility Fund received 66 applications in 2013 and 118 in 2014, and provided support to 30 projects. Live music tour performances, research-based collaborations and professional creative exchange have taken place in Botswana, Lesotho, Malawi, Mozambique, Namibia, Swaziland and Zimbabwe. Recipients included artists Ihhashi Elimhlope, Maqhinga Radebe, The Brother Moves On, Bateleur, and businesses Motif Records and The Word N Sound Company, amongst others. A full recipient list is available at www.concertssa.co.za, and previous recipients of the Music Mobility Fund will not be eligible for consideration in this call for proposals.

Madala Kunene, highly respected KZN-based musician and 2014 Mobility Fund recipient had this to say about his recent tour: “The support of Concerts SA really helped me lately. I was not able to find opportunities at the beginning of this year, especially in January – a difficult month for us artists. Thanks to the Music Mobility Fund, I was able to work at many different venues across the Western Cape and Gauteng. It was easy to travel because the Mobility Fund support covered touring costs. Everywhere I performed people were very happy and very responsive to my music, so I will just add: power to Concerts SA and The SAMRO Foundation!”

Designed to help musicians, music industry professionals and organisations build on already established domestic success and develop connections, markets and audiences for their work, the fund provides support towards travel and transportation; per diems; material costs (hiring of backline and sound equipment), accommodation and visas.

The types of projects that may be financed are tours and concerts (performances; regional, country or provincial tours; participation at festivals and showcases, etc.), collaborative projects (artistic collaborations between musicians based in different provinces of South Africa or SADC countries), and professional development projects and visits (for South African music industry professionals to build networks and knowledge in other provinces and in the SADC region). The duration of the project may not be less than four days nor exceed 6 months.

National Projects

Artists from all provinces are invited to apply for national projects taking place in one or more provinces. The province(s) in which the project is to take place must be different to the one in which the artist is based. Successful applications will not be eligible for additional CSA funding support in the 3 provinces.

Regional Projects

Regional projects must take place in one or more of the following SADC countries: Angola, Botswana, Democratic Republic of Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. Applicants will need to conduct their own research and have identified and communicated with a potential partner or host. The partner may be an individual or organisation and must be an established musician or music professional, and must be based in the SADC country (or countries) where the project will take place.

Application process

Applicants should complete the application form in English, and submit it before Tuesday 7 April 2015 with the following mandatory documents: legal documentation of the applicant (ID/Passport copy for individuals and organisation representatives; company registration documents); track record (press coverage, website links, evidence of recognition awards, public appearances or residencies, CV, biography, etc.); budget of the project (including projected income and expenditure); and a calendar of activities with tour schedule. SADC regional projects should include a letter from the local host confirming their support and involvement.

Enquiries and applications should be submitted by email to [email protected], by fax to 086 500 7028 or by post to Concerts SA, The SAMRO Foundation, 20 De Korte Street, 4th Floor SAMRO Place, Braamfontein, Johannesburg, 2017.

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