NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: TXC tease possible collaborations with Wizkid and Jorja Smith

19 Aug 2026 - 11:25

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South African amapiano duo TXC have teased an upcoming project that could feature collaborations with Nigerian star Wizkid and British singer-songwriter Jorja Smith.

TXC with English rapper, DJ, and radio and television presenter Dotty (centre).

The duo, comprising childhood friends Tarryn Reid and Clairise Hefke, disclosed the plans during an appearance on Apple Music’s The Dotty Show, where they also discussed the success of their hit single ‘Nakupenda’ and their growth within the international Amapiano scene.

Hefke hinted at the project when host Dotty asked about the duo’s plans for new music.

“There’s definitely a big project coming. I don’t know if I can mention this. But yeah, we got a little bit of Wizkid, a little bit of Jorja, a little bit of... You know, we got some things coming up.”

Asked whether the artists would appear on separate tracks or the same song, Hefke remained non-committal.

“It could be one song, it could be separate songs. Let’s see, let’s see. But yeah, we’re hoping that’s the next Naku Penda.”

Reid said the project would be released “definitely this year”, while Hefke indicated that it was expected during the South African summer.

The announcement follows the international success of ‘Nakupenda’, which features Nigerian singer Davido alongside Zlatan, Scotts Maphuma and Al Xapo. The track has reportedly surpassed 37 million Spotify streams and 20 million YouTube views.

During the interview, TXC described the collaboration with Davido as largely organic. Hefke said the singer responded quickly after she sent him the track, contrasting it with their earlier collaboration ‘Yebo’, which took about a year to complete.

“I sent it to him and he was like, ‘yes, uh, let’s do Lagos this weekend’,” Hefke recalled.

The recording took place at Zlatan’s studio, where Davido improvised ad-libs that later became a prominent part of the song.

“He was joking around on the mic... And now it’s the biggest part of the song. Like he was just fooling around and that actually made the whole song.”

The duo also discussed their approach to DJ performance, particularly Reid’s energetic style, which has earned her the description of the “dancing DJ”.

Reid said her movement on stage was directly connected to the music she was performing.

“If I’m in the front there, just know that I came from playing my song,” she said, adding, “Every song that I play is the song that I go out for.”

Hefke said women in DJ culture were increasingly defining their own approaches in a traditionally male-dominated space.

“How else are you gonna claim it by making it your own, you know, by the dancing, by whatever you bring to the table.”

TXC have not confirmed whether Wizkid and Smith will appear on the same track, separate songs or in what capacity they may contribute to the project. Further details are expected ahead of the planned South African summer release.

When asked whether the duo would premiere the new music on The Dotty Show, Hefke replied: “You will know first.”

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