NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda: Richard Kawesa in raging copyright battle with telco

18 Jan 2017 - 10:05

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Ugandan artist Richard Kawesa has taken the copyright war to the doorstep of Africell Uganda, a Lebanon-based telecom company that he says has infringed on the copyright to his song, ‘Ani Akuba Babie Wange’, a lullaby that the company has been using as their call centre tune.

Richard Kawesa who protested in chains, on a mat outside the Africell ofiices. Photo:Chimpreports.com

The embattled artist has camped outside Africell Telecommunications headquarters on Clement Hill Road in Kampala in chains and wielding placards while demanding payment of Shs52 million (Uganda shillings), the equivalent of US$15,295 for the use of his song. He first took up the protest chains one year ago on 18 January 2016, but did not get justice, and returned in January 2017.

On 17 January 2017, he was arrested alongside four Ugandan journalists who were covering his story and detained at Jinja Road police in Kampala for over seven hours.

Photojournalists Eddie Muhumuza of Hub for Investigative Media, Kenson Bugembe and Mohamed Safe from Uganda Media Centre were arrested for taking pictures of Kaweesa Richard as he protested.

Muhumuza and Kawesa were both charged with criminal trespass and granted police bond after seven hours of detention while Bugembe and Safe were forced to delete pictures of Kawesa in chains and released without charge.

Kawesa’s drawn out battle with the mobile network operator started in May 2015, when he brought the copyright infringement and abuse to the attention of Africell’s senior management. They wrote back claiming that Africell owned the rights to the song. The artist laments that the company has since continued to flout the law.

“Africell has been infringing my copyright since February 2014 when their five year contract expired. I wrote to them to stop the infringement but they declined and never responded to my warnings through my lawyers, so I decided to fight this injustice by protesting at their headquarters. Unfortunately I was arrested, handcuffed and detained here,” Kawesa told Human Rights Network for Journalists (HRNJ-Uganda) from Jinja Road police station. Police confiscated all the materials he had.

Kawesa says he was approached by Orange Telecom in January 2009 asking him to license them to use the song as their signature tune. He had composed the lullaby whose title translates to ‘who is hurting my babie?’ for his yet unborn children a few months before he got married in 2003.

The French-based firm asked that he translates the song into English and instituted a strict agreement on further licencing of the song by both parties.

“Orange agreed not to pass on the license to a third party as per the agreement. The agreement was so tight that it even barred me from licensing the song to another telecom not only during the term but also 10 years after the five-year term expired,” Kawesa said.

By the time Orange exited the market in May 2014, Kawesa says the song contract had expired by three months. Their successor Africell, however, continued to use the song as their or Interactive Voice Response (IVR) tune in violation of the artist’s copyright.

The 39 year-old artist started his music career at the age of 10, traveling through the United States and Canada and eventually going solo in 1996 before launching out into consultancy. Kawesa was the production consultant for the movie The Last King of Scotland and contributed music to the 2012 feature film The First Grader. He is also the social entrepreneur behind Bankable Society, an internet business community and the Music Forum, an association with over 320 artists and producers.

Kawesa started a social media campaign dubbed #arrestinjustice, where he is creating awareness on issues of copyright infringement and theft. He is also demanding Shs1 billion as compensation and damages from Africell. Half of that is to go towards establishing the Arrest Injustice Foundation while half is to be paid to his South African publishers, Sheer Publishing Africa which has wielded its financial and legal muscle to sue on his behalf, and which will pay him his dues.

He is also demanding that Africell makes a public apology and acknowledges that he is the rightful owner of the song’s copyright.

This article was originally published in Chimpreports on 18 January, 2017.

Here's the video for Kawesa's song 'Ani Akuba Babie Wange?'

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