NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ugandan based Charmant Mushaga’s ‘talking’ guitar mesmerizes fans

07 Nov 2016 - 13:56

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By Roy Ruva

Congolese, multi-talented guitar maestro and vocalist Charmant Mushaga, on Thursday 3 November had an up and close moment with his friends and fans at Kampala’s premium night club Guvnor in industrial area. The evening was worthwhile for all present.

Charmant Mushaga joined by Chris Weigers. Photo courtesy of Roy Ruva

As he caressed his guitar with delicate poise and romanced it with everlasting affection, the soothing rhythms that emanated from the finely-tuned solo machine took the adoring fans into a journey of romance and colourful music paradise.

At one moment Mushaga gave his machine a smoother touch when he used his lips and tongue to carefully pick the guitar strings in a carefully arranged order to the delight of many fans. Mushaga popularly known as ‘Shalma’ immigrated to Uganda as a young refugee. His talent in music- especially his guitar skills- elevated his status very fast and enabled him to find a new home at Watoto Church in Kampala. Since then Mushaga has discovered himself and built his own brand of music; a unique blend of Afro-jazz, Afro- soul and elements of rumba and Congolese Soukous to form a rich sound.

His show on Thursday night was hugely successful; one because he had the full support of his fans and secondly because he put up a master class act on stage that left even the hardest of hearts melted in awe. Picking from a collection of some of his old pieces and a few from his forthcoming album African Love, the maestro had a package of 20 songs carefully lined-up for the evening’s presentation that kicked off at around 7.30pm. He was supported by an equally gifted and powerful ensemble of instrumentalists led by David Pragmo and backup singers.

Dressed in a white West African fabric shirt decorated with floral prints, Mushaga took the crowd into dreamland with his tantalizing compositions that oscillated between smooth Afro-Jazz and high tempo Congolese Soukous. Some danced as others sang along; for others the music simply enthralled them and they opted to enjoy from the comfort of their seats.

He performed songs like ‘Full moons’, ‘Whisper’, ‘Black and White’, ‘In Africa’, ‘Mutoto Lala’, ‘Nipe story’, ‘Wapi Yo’, ‘Smile’ and ‘Afropenzi’. The showcase saw the sultry Naava Grey join him for the performance of ‘Adonde Ire’. Mushaga took a short break to hand over copies of his yet to be released album to four lucky revelers.

“I am very grateful to all of you for turning up in large numbers. I don’t have words to express my happiness,” an elated Mushaga said.

When he resumed the performances, with ‘Secret’, ‘My village’ and ‘Paradise’, his friend Chris Weigers joined him on stage for an acoustic session before doing the gospel song ‘Bado bado’. Later the guitar maestro and personal friend Myko Ouma joined him on stage. What followed cannot be described by words.

It was magical as the two sang, joked and even ‘talked’ to each other using their guitars with the fans occasionally joining. The charged show dubbed An evening of afro-jazz and sponsored by Fezah, SMSONE, RadioOne, Jazz FM came to an end at 11.00pm.

This article was originally published on 7 November on Chano8.

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