NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Ugandan singer Lily Kadima ready for world music stage

07 Oct 2016 - 05:58

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In August 2016 Lillian Nazziwa Birungi, popularly known as Lily Kadima, held a concert to officially unveil her solo career at the National Theatre in Uganda. 

Ugandan artist Lily Kadima. Photo: Lily Kadima's Facebook page

With her eyes set on the world’s music stage, Kadima’s music continues to gain traction in her home country. Recently she released the video for the song 'Tonkutulanga' (Don’t Ever Let me Down). Music In Africa spoke to the artist, whose musical career started in the halls of various churches. She says that music has always been her calling.

“I did not understand why I always fantasized about singing to big audiences. Growing up, I always dreamt of performing on big stages across the world.”

This dream has started to manifest itself. Kadima is one of the outstanding acts lined up to perform at the Pearl Rhythm Festival, which is slated for 29 October. “I believe it is a matter of time before I get on other festival stages, it is an honour to appear at this year’s Pearl Rhythm Festival.”

The artist says that singing has always given her the freedom to express her thoughts.

“Even though I was a very shy child and often got bullied in school, I found peace in getting close to music,” Kadima says.

Venturing into music

While her mother’s wish was for Kadima to pursue a career in medicine or accounting, the artist had to hide the fact that she had other career plans. “It was very hard for me to let my mother know that I was practising music. I made up many fake stories.

“I would tell her I was working in a hotel as a supervising manger on night duty, while in reality I was singing with bands every night and sing karaoke at Alligators’ – a night spot in Kampala.”

In her third year at university, she started singing at jam sessions. It was during this time that she met Franco Mpamizo, who owned the well-known band Bantu. The band used to play Monday through to Sunday at the Grand Imperial Terrace. Mpamizo liked her voice and offered her a place in the band.

After a short stint with the Bantu Band, a friend introduced her to the Rock Shield Band in South Sudan. The band has recently rebranded and is known as the Fusion Band. She worked with the band for six years. It was during this time that she released a folk pop hit single ‘Akuloga’. “The song is sung in Lusoga, a dialect of the people from Eastern Uganda. Literally the song means love is blind.”

Kadima says the single has continued to gain popularity throughout Uganda and across East Africa. The song was awarded for the Best Eastern Song organized at the 2013 HIPIPO Awards.

Challenges of a solo career

Having performed as a solo act for the last three years, Kadima says that there are challenges but she is determined to succeed. “Unlike a band where you can share responsibilities, a solo act has to shoulder more responsibilities and the decision-making.”

While she has made fair progress as a solo artist, Kadima says it has been an uphill task to sell her music and get more platforms to expose her talent. “My music, which covers various genres, including a mix of folk, soul, rock, reggae as well as Afro-beat, sounds new and different to the market and requires lots of effort to expose it out there.”

However, Kadima says her previous experiences with bands have adequately prepared her for a solo career. She notes that one has to be consistent. The opportunities she has gotten along the way have enabled to push herself out of her comfort zone. The pop singer says that avenues such as karaoke nights and jam sessions are platforms that artists who are starting out can use to explore their talent.

Music business

Acknowledging that she has not learned a lot when it comes to developing solid music business plans, Kadima says she is trying to learn as much as she can. “I did not learn much about the business side until around September 2015, when I got to meet experienced men and women kind enough to enlighten me about the music business.”

She is thus determined to learn more as she intends to set up her own music label in future.

Currently Kadima is working on her yet-to-be-titled album. She says the album, which will be her third, is expected to be released next year. She is also planning to hold a major concert next year.

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