NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Uganda’s Bayimba Festival celebrates ninth edition in style

19 Sep 2016 - 14:42

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For close to ten years, the Bayimba International Festival of the Arts has brought music lovers unique artists from around the world. The ninth edition that ran from 16 - 18 September at the National Cultural Centre in Kampala showcased the best from various disciplines of the arts.

Akua Naru on Stage at Bayimba Festival. Photo by Twenty  Moments.

Even with rains threatening to spoil the party for music fans there was never a dull moment at the three-day multi-disciplinary festival.

Germany-based American rapper Akua Naru ensured that music fans had something to talk about beyond the festival. Her eclectic performance presented hip hop in a light many have not witnessed in Uganda. Currently on an African tour, she performed with authority. Backed by a wealth of experience, she struck a strong relationship with the crowd.

She rapped her lines, blending a contemporary diction with poetry. The thematic variety of her music was wide-ranging. From romance to political activism, Naru's music wowed the crowd even as her song 'Africa Unite' was probably received with mixed feelings. Her unapologetic, brutally honest messages about colonialism, slave trade, racism and black power might have rubbed a few the wrong way but the music did not stop.

The crowd showered her with love. At one point one reveler beat security and got that dream handshake on stage with the singer. Having already performed in Mozambique, Zimbabwe, Kigali and now Uganda Akua Naru is expected to wind her tour of Africa with a performance in Kenya on 22 September.

Uganda’s MoRoots, Iryn Namubiru and the Acappella gospel band Canaan Gents presented some of the best music within Uganda while South Africa’s Tribute Mboweni provided a taste of southern Africa. Closer home Kenya’s Winyo shared his taste of benga-blues while the reggae band Gravitti inspired many with their music.

Performing alongside a jazz band, saxophonist Mo Roots put up an eclectic performance. Her energy which was further magnified by the cheering crowd. She commanded the microphone like a goddess. Her performance of “Be Happy”, may have reminded the crowd about the healing power of music.

Popular female artist Irene Namubiru, gospel singer Exodus got the crowd on their feet as they sang and danced along throughout their performances. Kadongo Kamu singer Mathias Walukaga, and Ronald Mayinja, known for their songs with provocative political overtones, also had their sing along moments with the crowd.

Electrifying live music performances characterized the event. With performances going on simultaneously on two stages and the auditorium one was spoilt for choice. Bayimba also provided a platform for emerging musical acts.

The emotional family affirming performance from rapper MC Benny aka Acholi Muding was a major highlight. The youthful rapper from the northern region travelled with his mother and father who also joined him on stage. It was the first time in his ten year career that his mother and father had watched him perform.

“I could not take my mom and dad to the club," he said. "Bayimba was that platform where I was convinced they would enjoy watching in comfort." MC Benny said that initially his parents did not support his choice to pursue music. He then thanked the organisers: “Thank you Bayimba for creating this platform that edifies arts.”

MC Benny embodies the struggles of many young rappers. His tale is a familiar story of society’s hypocritical love-hate relationship with the arts. While established stars are readily celebrated, for those still developing their craft, support is hard to come by.

Away from hip hop. A unique collaboration was taking place at the festival. Amadinda Sound System, a Ugandan-Austrian music outfit served audiences with a perfect fusion of Ugandan sounds and electronic music. Helmed by Ugandan percussionist Lawrence Okello, the Amadinda Sound System proved that there is no limit to what artists can do. The band's vocalist Namisango Catherine charmed the crowd with her sonorous voice. The folksong “Ayomba” laced with sexual lyrics highlighted the cases of marital rape and domestic violence knitted in hilarious lines.

Reggae rhythms reigned supreme. Jamaican Anthony Jermaine, Uganda’s Blood Brothers and Mighty Son are some of the reggae artists who played at the festival. DJ mixes drove the crowd crazy. DJ Wurzelholz from Germany put on an electrifying performance that the crowd could not get enough of. And the all-female group “Femme Electronic” ensued that cold was kept at bay.

With its programming of film, music, theatre, visual arts and dance, Bayimba Festival proved why it has become an important event on the Ugandan social calendar. Aside from the music, the festival also featured dances, fashion shows and a photography exhibition.

In 2017 Bayimba will celebrate its tenth edition and if the 2016 edition is anything to go by, music lovers should get their dancing boots ready.

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