NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda’s DOADOA moves to Kampala for 5th edition

25 Apr 2016 - 11:54

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The fifth edition of the DOADOA East African Performing Arts Market will take place in Uganda from 4 to 7 May.

Artists perform at DOADOA in 2015. Photo: Bwette Photography

This year's event will be held for the first time at the Uganda Museum in Kampala. It has been moved to the capital from the eastern town of Jinja to make it more accessible to delegates.

The 2016 edition promises to carry forward the conversation about the music industry in the region with a series of panel discussions that artists, professionals and anyone serious about the music business will no doubt find useful.

The conference kicks off on the night of Wednesday 4 May at the Uganda National Cultural Centre’s National Theatre in Kampala with Gambian promoter (and Music In Africa contributor) Oko Drammeh, who will be in conversation with DOADOA director Faisal Kiwewa about the historical role of African artists within the diaspora.

Over the following three days, highlights include a special session on music education (training musicians to understand their trade), which will bring to focus the ongoing debate as to who qualifies to be a musician and what makes a professional musician. Charles Houdart of the African Music Development Programme (AMDP) and James Isabirye of SELAM Uganda will explore this thorny issue.

Also of significance will be a discussion and networking session aimed specifically at songwriters, who are often overlooked in favour of performing artists. This is an important session for individuals who want to understand more about the vital role played by songwriters.

For artists, DOADOA's organizers have put together a useful session where artists will get to meet promoters from Kenya, Rwanda and Uganda and learn how to get their work to potential buyers. This session will host promoters including Abdi Rashid Jibril (Kenya), Karengera Eric Soul of KigaliUp! (Rwanda) and Uganda’s Elijah Kitaka.

The four-day event has also lined up a conversation about the performing arts funding ecosystem, in which Alliance Francaise Nairobi director Harsita Waters will share insights on funding for the arts and culture sector.

Yet another interesting session is on the preservation and digitization of old music. Rebecca Corey from the Tanzania Heritage Project will talk about their work in preserving Tanzanian music. She is currently working on a documentary celebrating Zilipendwa music in Tanzania.

Other topics up for discussion include women in music, music publishing and music in dance and theatre.

Outside these exciting discussions and networking opportunities, each evening will also see artists from throughout the region showcasing their talents. Performing at DOADOA this year will be Ugandan acts Entenga Drums Music Performers, Ruyonga, Kenneth Mugabi and Apollo Kagimu. Joining them will be Dbass Ganun, Grace Matata, Ze Spirit Band and Cultural Arts Centre from Tanzania, as well as Christine Kamau, Lulu and Zakaleo Band, Gravitti Band and Ricky Na Marafiki from Kenya. The showcases take place at the National Theatre (on 4, 6 and 7 May) and at Cayenne Bar & Restaurant (on 5 May).

Tickets for DOADOA range from 20 000 UGX (US$6) for a one-day pass to 50 000 UGX ($15) for a full four-day pass.

For more information and a complete programme of events, visit the DOADOA website. Watch highlights from last year's edition in the video below.

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