NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Uganda’s Kenneth Mugabi thrills fans at debut concerts in Kenya

04 Oct 2016 - 11:28

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Fans of Afro-soul got a taste of Ugandan music as the up-and-coming Kenneth Mugabi put on shows at Choices Pub on 29 September and 1 October at the GoDown Gig in Kenya’s capital.

Ugandan afro-soul artist Kenneth Mugabi. Photo by Twenty C moments

His rich voice, stage presence and signature endigidi (Ugandan tube fiddle) left a lasting impression on the audience. Mugabi believes that with each performance he shares more than music. He has been on the music scene for the last three years and his wholehearted performances have helped him win over fans wherever he performs. Besides the endigidi, Mugabi also plays the guitar. The two concerts were his first in Kenya and the artist had nothing but praise for the country.

“Nairobi! Thank-you for letting me tell my Ugandan stories! Nga! It’s been fun,” the artist wrote on his Facebook page immediately after his first performance at Choices.

Mugabi is currently promoting his debut album Kibunomu. He spoke to Music In Africa about his musical journey.

“Getting into music was ironic. In 1999, while attending Sunday school, I was forced to perform a song in front of an audience. This totally put me off the music stage and I never thought I would ever be on stage to perform music,” Mugabi explains.

Growing up, he says he was a funny character and most of his friends thought that he would pursue a career in comedy. This was not to be. After completing his A-levels he joined Makerere University to pursue a Bachelor of Arts Degree, with a focus on music.

“I thought I could finally get to learn more about music. My mother had been a singer with the church choir,” he offers. And for him understanding music was all he intended, with the hope that he would do other music-related work. Later, during his internship with Afrofusion band Qwela, his desire to get on-stage and share his stories grew stronger.

He took part in various competitions, with the aim of developing his musical performances. Among the contests was Tusker Project Fame and Coca Cola Rated Next. He was one of the top ten finalists at the debut Coca Cola Rated Next competition in 2013.

“The competition required that one had to compose their own songs. I believe this was a great platform and the judges saw the desire in me to succeed in the music world. That’s why I got that far,” Mugabi says of the competition.

Even though he did not win the ultimate prize, he learnt a lot that helped him launch his music career after the competition.

“When you do not win at a competition, you strive to work harder. Unlike winners, who are assured of further career development assistance...you have to go back to the drawing board and evaluate why it did not work out for you. The desire to succeed is always greater,” Mugabi notes.

Professionally, things have started looking up for the Afro-soul artist. In early 2016 he released his 11-track album. He wrote all the songs on the album Kibunomu (“shooting star”) as well as did all the background vocals. On some songs, like ‘Naki’, he played the acoustic guitar as well as the tube fiddle. The album has been well received. Ugandan critics have noted that the album is a refreshing addition to the local music scene. The album is also said to define the artist’s music while making him stand out.

Speaking further about the album, Mugabi says he is on a quest to create content that resonates with middle-aged and older music fans. He says he is keen on promoting the album beyond Uganda and is grateful that Kenya was the first destination where he brought his brand of music. He hopes to stage performances across East Africa.

He says he loves the endigidi as it provides authentic sounds. “Everyone is embracing technology and what it can do for the music industry. While this is great, this does not mean that we completely ignore traditional instruments such as the endigidi.”

Besides promoting the album in other East African nations, Mugabi has his eyes set on performing at major regional festivals like Sauti Za Busara in Zanzibar.

Early this year he performed at the DoaDoa Performing Arts Market. He has also staged showcases at Bayimba International Festival in 2015 and the Qwela Junction at the start of 2016.

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