NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda’s Milege Festival returns to Botanical Gardens in Entebbe

21 Nov 2016 - 13:34

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Cultural heritage and African music will take centre stage as Milege World Music festival returns to the Botanical Gardens between 25 and 27 November in Entebbe, Uganda for its fourth edition.

Ugandan artist Haka Mukiga. Photo: www.milege.org

This year the festival, which first held in 2014 under the name Milege World Music festival, will pay special focus on women in the arts and culture realm. “This year we have a special focus on women in the arts. So most of our acts away from the main stage are women,” Manani Birabi of Milege World festival says.

Milege started out as a music band in 2009 with a focus on promoting folk traditional Ugandan music using both modern and traditional music instruments. The guitar, the ankle rattles and the traditional drums made the first sounds of the band. With the focus of further showcasing premium African music in its pure indigenous and experimental forms, the festival arm was born in 2013 and for the first time the Repainting Uganda World Music Festival was held on the shores of Lake Victoria. In 2014 the festival rebranded to Milege World Music Festival and found a home at the Botanical Gardens where it has been held since.

Festival acts

The festival’s objective is reflected in the diverse line up of artists, including Uganda’s afro-fusion folk musician Giovanni Kremer Kiyingi, Haka Mukiga and the Milege Band. The festival will also have traditional dance and music troupes perform at the three-day festival. While the Ingyenzi Dance Troupe will seek to thrill attendees with the graceful movements of Ingyenzi’s women punctuated by high energetic drum dances from the men. Northern Uganda’s Watmon Dance Troupe will on the other hand share the rich Acholi culture that still stands out as a highlight of Uganda’s arts scene.

Founded by Mathew Watmon, the cultural troupe has been at the forefront of Acholi dance for nearly 50 years, a very extraordinary dance tradition that was cherished by General Idi Amin in the 1970’s. The tradition of the Acholi dances are an invaluable treasure, a fine blend of history, present and future. These dances range from war dances, marriage dances, courtship dances, funeral dances, harvesting dances among others.

“We are also trying to give stage to art forms that one would not ordinarily find on most stages, that’s why we give stage to many troupes,” Birabi explains about this year’s line-up.

Giovanni who recently released his album Amakondeere (loosely translates to Horns and trumpets of Africa) is expected to thrill with his unique blend of modern and traditional folk music. His 12-track album is a rich compilation of music that draws from old Ugandan folk stories.

Haka Mukiga on the hand will present his rich repertoire that reflects Uganda’s Rukiga traditional culture. The epitome of Rukiga music, Mukiga is a dancer, song writer, multi-instrumentalist and ethnomusicologist who embraces African music and believes intellectual property is very vital in the civilization of a culture or society hence rejuvenating and disseminating it for the current and future generations.

The expectations are high this year for the organizers. And, going by the artists lineup, the festival, which prides itself for heritage preservation, will not disappoint enthusiasts of culture and traditions.

Birabi says that they are keen on staging a show that is both fun yet informative and original, to create a memorable experience for all festival-goers. “The event started as a small one hosting about 300, in 2015 the numbers grew to 1600 and in 2016 we anticipate an even bigger audience,” Birabi further states.


Tickets to the festival cost UGX 50000 ($13.84). For more information, visit the festival website.

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