NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Uganda’s traditional sounds to get electronic makeover at Bayimba fest

15 Aug 2016 - 05:34

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The Bayimba International Festival will play host to a vast array of arts and culture-related activities between 16 and 18 September in Kampala, Uganda. 

Members of the Amadinda Sound System project. Photo: www.mdw.ac.at

Besides the musical headliners already revealed for the upcoming festival - such as US rapper Akua Naru, Tribute 'Birdie' Mboweni (South Africa), Kenyan acts Winyo and Gravitti Band and Congolese trumpeter Ya Tatchi - the three-day festival will also provide a platform for unique musical collaborations.

Arguably the most interesting collaboration in store for Bayimba this year is Amadinda Sound System, which will see Austrian artists Wolfgang Schlögl (aka I-Wolf) and Barca Baxant traveling to Kampala to perform with Amadinda Uganda, a group of artists who are renewing popular interest in the traditional instrument known as amadinda, a wooden xylophone comprising 12 to 15 wooden bars made that rest on a frame made of banana tree stems, with sticks inserted between the bars.

Amadinda Uganda was founded by Lawrence Okello in 2015. Okello is an established name in Ugandan traditional music, having collaborated in the past with with Ndere Troupe, Joel Sebunjo's Sundiata and Janzi. He was also one of the few artists selected to take part in the Nile Project's gatherings and tours in 2013 and 2014.

For the upcoming performance at Bayimba, Okello will be joined by up-and-coming artists Namisango Catherine, Bazibu Michael and Farouque Bukenya. Together these Ugandan musicians will share a stage with two important figues in the the Viennese music scene in Barca Baxant and Wolfgang Schlögl, the latter a founding member of popular Austrian group Sofa Surfers.

This groundbreaking Austrian-Ugandan musical mash-up will take place for the very first time at the Bayimba, presented under the name Amadinda Sound System. The aim of the collaboration is to forge new sounds and ultimately record a new album, which will be released in 2017. Fusing Austrian electronic music with traditional Ugandan instruments will not be easy - although the Austrian artists are upbeat, saying that music is a universal language that if practiced with empathy and respect can lead to a joyful adventure.

To learn more about Amadinda Sound System, visit the project's Facebook page.

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