NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Tutorials

Understanding music production

26 Nov 2014 - 16:42

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We thought you may be interested in understanding the steps that go into making a song, right from composing to the stage where it is ready to be broadcast on radio.

Music 4 Studios, London

8 Steps to Your First Song:

From Idea to Professional Production A Guest Post by Rajiv Agarwal & Crowd Audio It’s always exciting to hit upon a song idea which can be the next big sensation. But translating that idea into a song or an album can be a daunting task, especially if music production is new for you. In this article we will demystify the process of creating songs from scratch. A song starts with either a catchy melody or a set of powerful lyrics. Then music is added to the song, the song is given a structure and then it is recorded and goes for final post production. Let us look at each of these processes in detail.

1. Tune/melody:

The basic starting point is the tune or the melody you have in your mind. To give an example of melody- think of your favorite song. Now just hum the song, without any words. That’s right- the bare humming, without any music or a word is called the melody of the song. It might sound very basic, but it is the heart of the song. The melody has to be catchy and something your listeners can connect to.

2. Lyrics:

The melody needs a good set of lyrics which can express your thoughts and ideas. You can either hire a lyricist or you can write your own. These two steps are interchangeable as well. Sometimes you might have a few lines of lyrics first and then set them to a particular melody. Either approach is fine and there is no right or wrong way.

3. Arrangement:

Adding background music to the melody and lyrics is called arrangement. This includes drums, guitars, bass, strings, percussions or even exotic didgeridoo! If your song falls under the rock, blues, Jazz or similar genre wherein you require live instruments, you need to find some good band mates or session players. (Session players are professional players who will play according to your guidelines, but are not a part of your band. You need to pay them for their services.) You need to decide what kind of music will best suit your song. Your band mates or session musician will help you compose and give a structure to your song, including lead music, beats etc. If your song falls under the electronic genre like club, ambient, drum n bass, you need to hire an arranger who will arrange and compose the entire music for your song. Generally arrangers are a one man army and they have huge sound libraries and virtual instrument collections, which they use to compose the entire music for the song.

4. Pre-production:

Once the music of the song is finalized, you need to practice with your band members till you can play the entire song, with proper feel and without making any mistakes. By now the entire structure of your song is finalized and you pay attention to the vocals, chorus and the entire feel of how the song is being played. You can do improvisations on the tempo or playing to make the song better.

5. Studio Recording:

Once you are confident that your singers and musicians are very well rehearsed, you can book a studio for the final recording. If you have programmed the entire song, you will just need to record the vocals in the studio. But if your genre is rock etc, you will have to record all the instruments (drums, bass, guitars etc.) as well as the vocals in the studio. You might have to play the song multiple times to make sure everything sounds on pitch and right on tempo.

6. Editing:

Once you have recorded the final song and are happy with the recording, the sound engineer will edit the tracks. He will meticulously go over all the recorded tracks and remove errors, mistakes and noises. He might also correct the pitch and adjusts the tempo to make the song more tight.

7. Mixing:

Now the engineer has everything he needs to mix the song. This is the most critical phase of production which will determine the sonic quality of your song. All the different tracks, including the instruments and vocals are leveled, balanced, and EQ’d so that the final song sounds crisp and punchy. Each instrument is given its own stereo space. [Editor's note: if you've decided to do everything yourself up to this point and need help with mixing, we've got a community of engineers ready to help you out.]

8. Mastering:

Mixing is not enough to bring out the true sonic quality of the song. Once the track is mixed, it has to be mastered by a mastering engineer. This is the final step in the production chain. Mastering adds the final shine to the song, making it sound, loud, clean and professional. Generally you hire another studio which specializes in mastering and has a dedicated mastering engineer. Once the song is mastered, your song is ready to be broadcasted! You can use various online marketing services, radios and record companies to market and promote your song. So go on, make some cool songs and you never know you could be the next Beatles!

All the best for your recordings!

This article was originaly published on Music Clout by By Rajiv Agarwal

Rajiv Agarwal is a music producer and audio engineer. He is the owner of the studio Audioshapers, which specializes in professional audio mixing, mastering and audio post production. Please Click here to visit his studio and check out all the services. If you need coaching or expert advice on any aspect of post-production, please feel free to email [email protected].

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