NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

US rapper sparks outrage for filming music video at Ghana’s presidency

09 Jan 2023 - 08:16

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American rapper Meek Mill and the Ghanaian government are facing outrage for a music video that appears to have been shot at the presidency in the capital Accra.

A still from Meek Mill’s new video.

Referred to as Jubilee House, the building was opened in 2008 to serve as the residence and office of the president of Ghana. The 35-year-old Philadelphia native was in Ghana last month to perform at the Afro Nation Ghana festival in Accra, and paid a courtesy call on President Nana Akufo-Addo when he arrived in the country.

Meek Mill shared a teaser video on socials Sunday that shows the musician performing with his entourage at various locations on the premises, including behind the presidential lectern. It also appeared that a drone was used during the shoot. The video clip was removed shortly after it was posted.

“[I] appreciate meeting strong black leaders,” Meek Mill said after he was received at the presidency. “It gives me the motivation to be greater.” On his part, Akufo-Addo asked the artist to leverage the possibilities that visits to Ghana present all parties involved.

Meek Mill’s video project, which critics describe as unacceptable, has also resulted in disapproval of the Akufo-Addo government over lack of leadership and pandering to the diaspora community. Many have also raised concerns about the security implications of the action.

“I think the president is already tired and may possibly hand over power if he is asked nicely,” 3Media Networks founder Sadiq Abdulai Abu said. “What’s this – a rapper who has since fallen off, flies a drone over the seat of the presidency?”

“Why are we allowing this?” Rita Mensah, a journalist with Citi FM, said. “Can Meek Mill shoot a music video in the White House? What a country! We have given these guys too much liberty they don’t even have in their country.”

Broadcaster Emmanuel Sarpong added: “Director of Diaspora Affairs & Minister of Interior, y’all really have questions to answer for that Meek Mill video. How’s a drone being flown over the Jubilee House? You can’t even shoot a photo at the Independence Square and not get jumped at by security.”

In a subsequent tweet, Sarpong lamented: “Creatives would embark on personal projects to shoot photos/videos at some of our national landmarks and they’re being harassed to the extent of being brutalised by some members of our security agencies stationed there. There’s a whole music video shot at the Jubilee House.”

Elikem Kotoko, a commentator with the opposition National Democratic Congress party, wrote: “How much did Meek Mill pay to the Ghanaian government to shoot this music video at the seat of government, and if he didn’t pay a dime can other Ghanaian artists be allowed to do the same?”

Meek Mill was part of a big group of American celebrities who were in Ghana for the December celebrations, which have become popular since 2019 when Akufo-Addo launched the Year of Return, an initiative inviting members of the African diaspora to reconnect with their roots 400 years after the first African slaves were shipped to America. The campaign reportedly welcomed about 1.5 million tourists to the country.

Many celebrities returning to Ghana since then have been received by the president himself as part of efforts to shore up tourism and foreign investment into the country. In 2020, Ghana’s Ministry of Tourism, Arts and Culture announced Beyond the Return, a 10-year successor initiative.

Meanwhile, the government has yet to comment on the Meek Mill development.

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