NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

VGMA 2018: Ebony leads the pack in historic win

16 Apr 2018 - 09:08

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The late Ghanaian singer Ebony emerged triumphant at the 2018 Vodafone Ghana Music Awards, which took place over the weekend.

Ebony is the 2018 VGMA Artist of the Year. Photo: Rufftown Records

Since her death in February just before her 21st birthday, Ebony had been the centre figure in discussions around the VGMAs. Would she become the first artist to win the top award Artist of the Year posthumously? Would she be the first female act to win that prize? Would she best Shatta Wale who said he deserved to win prior to her death?

In the end all of these questions were answered emphatically, as work released by Ebony won four awards at the event. Rapper Sarkodie earned four trophies but his came in lesser categories. Besides taking the coveted Artist of the Year award, Ebony also won Album of the Year for Bonyfied and Afropop Song of the Year for ‘Sponsor’. The Songwriter of the Year award was won by Ebony’s manager Bullet. He wrote the lyrics to ‘Maame Hw3’, one of Ebony’s last singles. In death, Ebony made history as both first artist to win the VGMA top award in death and the first female act to win same award as well.

Elsewhere, one the most popular songs from Ghana ‘One Corner’ was snubbed as Song of the Year. Fancy Gadam’s ‘Total Cheat’ won that award. The Amamerefo Music and Dance Ensemble won the Traditional Artist of the Year award while Dominic Quashie won the Instrumental Artist of the Year category. Mary Naa Amanua Doodo won the life achievement award. Doodo performed as part of the Ghanaian group Wulomei, which was established in 1973.

In a strong showing, last year’s big winner gospel act Joe Mettle won Gospel Song of the Year for ‘Bo Noo Ni’; he was also named Male Vocalist of the Year and Gospel Artist of the Year. Stonebwoy and Sarkodie once again took the Best Artist awards for their genres dancehall and rap respectively.

Shatta Wale who had returned to the VGMA list of nominees after years of a dispute with the organisers Charterhouse Productions left with one award. He won the Best Collaboration award for ‘Taking Over’.

Full list of winners below:

Artist of the Year

Ebony

Gospel Song of the Year

‘Bo Noo Ni' by Joe Mettle

Hip-hop Song of the Year

'Grind Day (Remix)' by Kwesi Arthur

Reggae/Dancehall Song of the Year

‘My Own’ by Samini

Hiplife Song of the Year

‘Total Cheat’ by Fancy Gadam ft Sarkodie

Afropop Song of the Year

‘Sponsor’ by Ebony

Highlife Song of the Year

‘Odo’ by Kidi

Gospel Artist of the Year

Joe Mettle

Highlife Artist of the Year

Kuami Eugene

Hiplife/Hip-hop Artist of the Year

Sarkodie

Songwriter of the Year

Bullet for ‘Maame Hw3’

Reggae/Dancehall Artist of the Year

Stonebwoy

Best Collaboration of the Year

Shatta Wale & SM Militants (Taking Over)

Rapper of the Year

Sarkodie

Best Group of the Year

Wutah

Best Music Video of the Year

‘Obi Agyi Obi Girl’ by Gyo of Phamous Philms

Best Male Vocalist of the Year

Joe Mettle

Best Female Vocalist of the Year

Adina

African Artist of the Year

Davido

Record of the Year

‘State of the Art’ by Teephlow

Best New Artist of the Year

Kuami Eugene

Song of the Year

‘Total Cheat’ by Fancy Gadam ft Sarkodie

Album of the Year

Bonyfied (Ebony)

Traditional Artist of the Year

Amamerefo Music and Dance Ensemble

Instrumental Artist of the Year

Dominic Quashie

Lifetime Achievement Award

Mary Naa Amanua Doodo of Wulomei

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