NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Vic Falls Carnival to welcome 2016 in style

14 Dec 2015 - 06:59

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The Vic Falls Carnival has evolved from humble beginnings to one of Africa's largest New Year’s celebrations. It offers a wild New Year's celebration at the incredible Victoria Falls in Zimbabwe right on the border with Zambia.The 5 600-foot wide falls provide a mind-blowing backdrop for a party of all parties to welcome in 2016. Local acts and international DJs will between 29 and 31 December cover many different venues over three days and nights, from the exclusive Vic Falls Carnival Train Party to indoor and outdoor clubs, and of course the festival site itself.

Zimbabwean band Mokoomba. Photo: www. zimlink.org

While the local New Year’s celebration can be traced back to 1885, when David Livingstone decided to toast to the queen at the turn of the New Year, in 2012 Sean Young and Blessing Munyenyiwa founded the Vic Falls Carnival to continue this tradition. Now in its fourth edition, the festival has continually showcased artists from all over Southern Africa, and caters for all musical tastes for anyone ready to party into the New Year.

The vintage steam train will take party-goers on a journey through the Victoria Falls National Park to a secret location deep in the African bush. With local DJ's pumping tunes through the classic carriages, you'll be in full party mood when you disembark at the secret stage set up under the African skies. This year for the first time the carnival has opened up a second train for festival goers.

Zimbabwean producer, vocalist, guitarist and all round creative person Dennis Rwafa - popularly known as Zyon Black - will thrill party goers with his unique brand of bass music on 29 December aboard the steam train. Zyon crept up on the scene with his massive remix of Thomas Mapfumo's song ‘Nyoka Musango’. The remix quickly became a chart topper, getting playlisted on numerous radio stations globally. Zyon Black gained recognition and firmly placed himself as one of Zimbabwe's finest electronic music producers. Growing up on a diet of rock, hip-hop and dancehall, the Zyon Black philosophy both in the studio and on stage is built on one premise: no boundaries.

Also on board on the steam train is the 2013 winner of the DJ Idols competition, Harshai - better known as Bhana - who has solidified his place as a regular on the Zimbabwean club circuit. Having played at every major Zimbabwean club, Bhana is well known for his ability to read a crowd and to play for a variety of audiences and tastes. To complete this impressive DJ line-up is DJ Rax with his dynamic delivery of big tunes from highly praised clubs around Africa.

On 30 December, the organizers of the carnival have arranged for parties at multiple venues in town, which will be announced soon.

The main event will of course happen on 31 December at the Victoria Falls Primary School, where the likes of Mokoomba, Mango Groove, Goodluck and Jason Leroux are expected to perform. Hailing from Victoria Falls itself is the sextet of Mokoomba, with their unique blend of Tonga and Luvale traditional rhythms fused with dashes of funk, ska and soukous. The band has already toured countless countries around the world and has won numerous awards. Mango Groove’s career has spanned an exciting and turbulent time in South Africa’s history. Since its first iconic multi-platinum release in 1989, the band, together with its charismatic lead singer Claire Johnston, has gone on to become a household name in South Africa. To date, Mango Groove has sold over 750 000 albums in South Africa alone. South African electronic band Goodluck will inspire the audience with their radio-friendly electronic music, which has been hailed as truly African with the ability to cross over internationally.

To further boost the Southern African line-up, the carnival will welcome South African pop band MonArk, Botswana songstress Charma Gal, Cape Town's DJ Diloxclusiv, Zimbabwe's own Judgement Yard, Harare's singer-songwriter Ryan Koriya and Steam Train regular DJ Francis.

For more information visit the carnival’s website.

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