NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Vote to challenge status quo, SAMRO tells young artists

27 Oct 2021 - 16:20

cc-img flag-img

The Southern African Music Rights Organisation (SAMRO) is calling on young people to use their voices and votes to challenge the status quo in the country. The pronouncement was made ahead of South Africa’s local government elections on 1 November.

Rapper Gigi Lamayne encouraged the youth to use their votes with principle.

SAMRO communication specialist Thabo Nchaupe said that while South Africa had a rich history of political and social activism through music, young artists should enact their legacy of activism than merely celebrate history.

“Music always played a huge role in the struggle against apartheid in South Africa,” Nchaupe said. “The impact of songs opposing apartheid served to raise awareness and generated support for the struggle.”

He implored aspiring artists to use their talents to build personal legacies, and made reference to a number of iconic South African musicians whose names and music became synonymous with the fight for liberation.

“For example, singer and civil rights activist Miriam Makeba was dubbed ‘Mama Africa’ for championing the struggle during the apartheid era, while also becoming an icon of African jazz,” he said. “Similarly, trumpeter and bandleader Hugh Masekela was described as the father of South African jazz. Masekela became well known for his jazz compositions as well as for writing popular anti-apartheid songs such as ‘Soweto Blues’ and ‘Bring Him Back Home’.”

Masekela went into exile in 1961 amid the political unrest that followed the Sharpeville Massacre a year earlier. ‘Bring Him Back Home (Nelson Mandela)’ was released as the lead-off track on his 1987 album Tomorrow. It became a central anti-apartheid anthem demanding for Mandela’s freedom and political change in the then segregationist South African state.

“The list goes on, there is simply no shortage of inspiration that today’s young artists can draw on,” Nchaupe added. “Other noteworthy artists include Brenda Fassie, whose song ‘Black President’ was released in 1990, following Mandela’s release from prison. The track was not only an anti-apartheid song, but also meant to rouse the masses to thank Mandela for his enormous sacrifice. It has since become South Africa’s biggest pro-Mandela song.”

Such brave artists, Nchaupe said, often suffered for their activism: their music was removed from music store shelves and they endured various forms of punishment at the hands of the National Party police.

“These musical giants laid down a powerful legacy and the anti-apartheid songs they wrote became an essential part of South Africa’s social fabric,” he said.

Local rapper Gigi Lamayne weighed in and beseeched young people to cast their votes with principle and reminded them that they had the power to make a difference. “We will never forget the sacrifices made by our older leaders in the fight against racism and inequality. But South Africa needs young voices to help us achieve economic freedom, as well as equal rights to education and other opportunities,” she said.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media