NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Wav Gardn’s Umdeni blends Afrocentric neo-soul with spiritual depth

11 Feb 2026 - 09:31

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Afrocentric neo-soul continues to gain momentum within Johannesburg’s alternative music scene, and Wav Gardn are among the emerging acts contributing to this shift. Their four-track EP, Umdeni, presents a concise body of work rooted in themes of African spirituality, resilience and renewal.

Wav Gardn.

The project opens with ‘Ithuba’, structured as a reflective appeal for guidance and opportunity. The track centres on perseverance, with lyrics that emphasise faith and determination in the face of uncertainty. Its restrained arrangement allows the vocal performance to carry much of the emotional weight, establishing the contemplative tone that runs throughout the EP.

‘Abaphantsi’ features KwaZulu-Natal-born vocalist Ovuyonke Sotsaka. The song incorporates elements associated with African spiritual practice, including rhythmic handclapping reminiscent of ukuphahla rituals. Lead singer Siisa’s layered harmonies gradually intensify, evoking a trance-like atmosphere, while Sotsaka’s airy timbre introduces a contrasting texture that broadens the track’s sonic palette. Together, these elements reinforce the EP’s spiritual undercurrent without overwhelming its understated production.

Across Umdeni, the production relies largely on live instrumentation, complemented by subtle digital enhancements. The rhythmic framework blends a conventional drum kit with African percussion such as djembe and shakers, creating a dialogue between Western and indigenous musical forms. This interplay mirrors the EP’s thematic focus on adaptation and continuity.

The basslines are carefully balanced: where the kick drum recedes, the bass guitar assumes prominence, maintaining a sense of depth and cohesion. The occasional use of the log drum, more commonly associated with amapiano, introduces a contemporary touch, while jazz-inflected progressions and indigenous motifs widen the project’s appeal across generations.

At just under 15 minutes, Umdeni is succinct yet thematically cohesive. The closing track, ‘Mvula’, brings the spiritual arc to a measured resolution, suggesting renewal after introspection. Rather than relying on dramatic shifts, the EP unfolds gradually, with each track flowing into the next. The result is a focused and atmospheric release that reflects the evolving landscape of Afrocentric neo-soul in Johannesburg.

Artist: Wav Gardn
EP: Umdeni
Year: 2026

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