NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

What to expect at Kigali Up 2018

25 Jul 2018 - 15:52

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Each year Kigali Up, one of East Africa’s biggest festivals, takes place in Rwanda's capital. The festival is ranked sixth among Africa's best music festivals by the African Music Festival Network.

Alpha Blondy will headline Kigali Up on Thursday.

The 2018 edition is themed, For the Love of Rwanda, Make Kigali a Vibrant City. Ivorian reggae musician Alpha Blondy headlines the event on Thursday, while other international acts will perform on Saturday, including Joey Blake (US) and Kenny Wesley (US), Third Eye (Malawi), Lulu (Malawi), Annet Nandujja (Uganda) and Sangoa (DRC).

Although the festival is one of the many platforms in the region struggling to get significant government support, previous Kigali Up editions have been successful and have managed to promote Rwanda as a tourism and intercultural exchange destination on the continent. Growing stronger each year, the festival brings an average of 150 delegates and 25 regional and international artists.

Music In Africa spoke to the festival's communication and media coordinator, Eric Kirenga about what to expect at this year’s Kigali Up festival.

MUSIC IN AFRICA: How will this year's event be different from previous editions?

ERIC KIRENGA: This year Kigali Up will be at a much bigger space, the Amahoro Stadium, which offers a better viewing experience and improved capacity for crowd management, safety and security. I am also happy to announce our latest partnership deal with Kenyan-based production company Sound Creation, which will handle all aspects of sound at the event. Lastly, we have introduced a new platform called the Kigali Up Sound System, an initiative designed to showcase the growing deejaying talents in Rwanda and East Africa but more importantly an occasion to have a big outdoor party.

Why is it important for Kigali Up to bring together artists from different regions?

On a developing continent the role of music and art festivals in promoting intercultural exchange cannot be underestimated. Bringing together musicians of different ages, cultures and regions provides an opportunity for economic growth and the professionalisation of the sector by providing a training ground to develop administrative and technical skills, workshops for sounds and light engineering, photography, videography and event management. Some of our previous participants have moved on to hold positions in institutions while others have created their own businesses.

Will there be an opportunity for collaborations between local and international artists?

Of course. Cultural encounters and collaborations are a crucial part of the festival. Apart from performing at the concert, the international acts will engage the local artists through workshops and masterclass sessions. We also hope to see a spontaneous and improvised performance between Joey Blake and Kenny Wesley live on stage.

Since 2011 what are some of the challenges you have experienced as a festival organiser?

The most challenging aspect of a festival is finding the adequate resources, logistical support and access to finance the production of a world-class standard show. The Rwandese private sector tend to not see the long-term benefit of aligning themselves with a unique festival such as Kigali Up. They do not see the economic value it could bring to their products or services therefore, the partnership deals they are offering is short term. This lack of foresight and vision is a huge hindrance to the growth of the industry.

How have Rwandese and East African artists benefited from Kigali Up?

The Kigali Up brand has become strong in the region. The most immediate is the number of requests from artists and promoters interested in being part of it. We also came to learn that many regular music consumers, visitors and tourists schedule their trip to coincide with the festival.

What legacy would you like to see for Kigali Up in the next five years?

We wish that Kigali Up becomes the springboard for Rwandese and regional original talents. This can only come to pass if we continue to be a platform that attracts culturally relevant he biggest and most influential socially conscious artists in the world. Our long-term goal is to build a greener festival, avoiding waste and a carbon footprint and using recycled material and renewal energy such as a solar-powered stage.

For more information about Kigali Up, click here.

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