NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Whitney Houston – The Concert for a New South Africa (Durban) to premiere on PBS

14 Nov 2024 - 10:09

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American public broadcaster PBS, Sony Music Vision, and Legacy Recordings, in partnership with The Estate of Whitney E. Houston and Primary Wave Music, have announced the broadcast of a special edition of The Concert for a New South Africa (Durban), celebrating the 30th anniversary of Whitney Houston’s historic South Africa concert with a fully-remastered release on PBS stations beginning 1 December 2024.

The late Whitney Houston performing in South Africa in 1994. Photo: The Estate of Whitney E Houston

The never-before-televised concert from Durban, South Africa, has been remastered in 4K with remastered audio. The entire original concert film — recently released worldwide in nearly 1 000 theatres in more than 30 countries in October — will also be available for streaming with PBS Passport on December 1, 2024.

In 1994, Whitney Houston took the stage for a series of three concerts in South Africa, including Durban at Kings Park Stadium on 8 November, Johannesburg (12 November), and Cape Town (19 November), making her the first major Western recording artist to perform in the newly unified, post-apartheid nation following President Nelson Mandela’s historic election win. The three performances included a combined 200 000 plus attendees and were more than concerts: they were a celebration of freedom, hope, and unity.

Whitney Houston’s powerhouse voice and emotional delivery brought joy and inspiration to a newly liberated country. Additionally, portions of the proceeds from her concerts benefited numerous local South African children’s charities through her foundation.

The Concert for a New South Africa (Durban) captures every note, every cheer, every tear, immortalising a night that transcended music and became a beacon of change and celebration,” Pat Houston, the executive producer of the project and executor of The Estate of Whitney E. Houston, said.

“Thirty years ago, Whitney created a magical once-in-a-lifetime event [and] since the recent release of this concert film in theatres worldwide, there has been a growing demand to see it. With the holiday season upon us, we join PBS and its audience in sharing this unique concert experience in their homes.”

The Concert for a New South Africa (Durban) is produced and directed by Marty Callner and her longtime music director Rickey Minor.

Additionally, Legacy Recordings, the catalogue division of Sony Music Entertainment, in partnership with The Estate of Whitney E. Houston and Primary Wave Music, recently released Houston’s first live concert album, The Concert for a New South Africa (Durban).

The new live album features music from the unprecedented concert event including Whitney’s greatest hits, ‘I Wanna Dance with Somebody (Who Loves Me)’, ‘How Will I Know’, ‘I Have Nothing’, ‘Greatest Love of All’, ‘I Will Always Love You’, and other landmark classics including ‘Amazing Grace’ and her rendition of Charlie Smalls’ ‘Home’ from the Broadway musical, The Wiz.

With more than 220 million combined albums, singles and videos sold worldwide during her career, Whitney Houston has established a benchmark for superstardom. She is the only artist to chart seven consecutive No 1 Billboard Hot 100 hits, has eight multi-platinum albums and was the first female artist to enter the Billboard 200 album chart at No 1. She is also the first Black recording artist to receive three RIAA Diamond-certified albums (by a female, male or group).

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