NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Winamp unveils all-in-one suite for creators

02 Dec 2024 - 12:31

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Brussels-based music platform Winamp has launched an advanced version of Winamp for Creators, which it describes as the first all-in-one suite for artists covering distribution, licensing and fan engagement among others.

Winamp CEO Alexandre Saboundjian.

The company, a subsidiary of Llama Group, says the move forms part of efforts to empower independent artists and labels at a time when streaming is “not serving the majority of artists who are unable to make a living out of it.” It added that “the need to diversify revenue streams beyond streaming has never been greater.”

“With Winamp for Creators, artists can reclaim control over their relationship with their audience, allowing fans to gain access to exclusive content or personalised memorabilia.”

Winamp for Creators’ range of features also includes YouTube Content ID for copyright owners to easily track and manage their content on the platform, with revenue collected and distributed to creators. The suite also includes a collectibles service that enables artists to create NFTs of tracks, providing a unique and ongoing revenue stream, as well as a Fanzone for artists to build their own social feeds with exclusive content for premium subscribers.

Additionally, in Q1 2025, Winamp will introduce marketing tools that help artists generate direct revenue, manage websites, run ad campaigns, and oversee their social networks, enhancing overall revenue management.

“Streaming has run out of steam and the music industry needs a new model,” Winamp CEO Alexandre Saboundjian said. “Winamp can be part of the solution. At the current level of streaming revenues, it should only account for 30% to 40% of a musician’s total income, while artists create other monetisation avenues. The challenge for independent artists and small labels is to identify new revenue sources and establish a more direct connection with fans.”

Months ago, announcing the worldwide launch of Winamp for Creators, Saboundjian said his outfit aims to “give artists and labels a platform that is focused initially on capturing different types of revenue and creating a team of collaborators. Before the end of the year, we will be adding various marketing and promotional services, such as centralised management of social networks and the creation of websites and mobile applications.

In May, Llama Grouprevealed plans to onboard some 50 000 artists to Winamp in 2024 and one million artists by the end of 2028.

In September, Winamp announced the opening of the source code for the Winamp Legacy version to allow the developer community the “opportunity to play an active part in the evolution of the player that has marked the history of digital music.”

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