NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Winners of SAMRO Overseas Scholarship crowned

01 Sep 2015 - 08:29

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Saturday 29 August was truly a night to remember when two new singing stars were crowned at the SAMRO Overseas Scholarships Competition final in Johannesburg. At a Linder Auditorium bursting at its seams with music lovers, 24-year-old Levy Sekgapane (Western Art music) and 21-year-old Zoe Modiga (jazz) were named the winners of this year’s competition for singers.

SAMRO Overseas Scholarship winners Zoe Modiga and Levy Sekgapane. Photo: samro.org.za

They have each won a R200 000 (over US$15 000) - South Africa’s most lucrative competitive music scholarship - to further their music studies, or enrol in specialist master classes, abroad – plus the honour of having their names on the SAMRO Foundation’s roll of honour, joining 68 fellow scholarships alumni since 1962. The prize money for 2015 was raised from R170 000 ($12 000) and announced on the night.

It was a dazzling evening of music, elevated by knockout vocal performances by the four finalists, all in their 20s and all brimming with youthful talent and promise: Levy Sekgapane and Andiswa Makana (Western Art music) and Zoë Modiga and Amy Campbell (jazz). Three of the four singers studied music at the University of Cape Town; one graduated from the Tshwane University of Technology (TUT).

The theme of this year’s scholarships competition was the National Development Plan (NDP) and its vision for a future South Africa. As such, the SAMRO Foundation had commissioned four composers – Neo Muyanga, Marcus Wyatt, Christo Jankowitz and James Bassingthwaighte – to write new songs inspired by the preamble to the NDP, which was penned by University of Johannesburg vice-chancellor Professor Njabulo Ndebele and poet Antjie Krog. These new compositions were performed by candidates in the intermediate and final rounds.

Prof Ndebele was also the keynote speaker on the night, at an event attended by the arts world’s glitterati. In welcoming him, SAMRO Foundation managing director André le Roux expressed his fervent hope that the positive vision laid out in the NDP roadmap would reach fruition with the help and inclusion of the arts community.

Having progressed through from intermediate round on Thursday 27 August, in which 12 semi-finalists competed, the four singers gave it their all during Saturday night’s finals. While performing their own choice of repertoire as well as the prescribed commissioned works (the jazz number ‘Connected’ by Wyatt and the Western Art song ‘Dream of a Rainbow’ by Jankowitz), they pulled out all the vocal stops to impress the adjudicators.

The high-level judging panel, chaired by Leon van Wyk, included two dual-genre panelists, Karendra Devroop and Sibongile Khumalo. They were joined by Western Art music adjudicators Eugenie Chopin, Lize Coetzer, Conroy Cupido, Hanna van Niekerk and Thami Zungu; and jazz adjudicators Gloria Bosman, Motsumi Makhene, Sibongile Mngoma, Nicky Schrire and Lydia vom Hagen.

The audience were also afforded the rare privilege of hearing two original Gerard Sekoto jazz compositions, ‘Africa’ and ‘Igoli’, arranged by Bassingthwaighte and performed by the TUT Big Band and singer Shaun Jacobs. These songs are among several written while the artist was in exile in Paris. Furthermore, an exhibition and sale of limited-edition Sekoto prints and posters, to celebrate the Gerard Sekoto Foundation’s partnership with the SAMRO Foundation, proved a roaring success.

In addition to the two overseas scholarships, a number of merit and subsidiary awards were handed out to outstanding finalists and semi-finalists, including Khanyiso Gwenxane, Mikhaela Kruger, Nombuso Ndlandla, Makudupanyane Senaoana and Amy Walton. The two runners-up each received R70 000 (also increased from prior awards of R40 000), bringing the total prize money to over R500 000 (US$38 000) – a handsome investment in music education to link with the ideals set out in the NDP.

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