NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

WMG sues Crumbl over unlicensed use of music in social media ads

25 Apr 2025 - 08:20

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Warner Music Group (WMG) has filed a lawsuit in the US District Court in Utah, accusing popular cookie chain Crumbl of using at least 159 copyrighted music tracks without authorisation in promotional videos on Instagram and TikTok.

In the complaint, filed on 22 April, WMG alleges Crumbl unlawfully used music by high-profile artists.

In the complaint, filed on 22 April, WMG alleges Crumbl unlawfully used music by high-profile artists including Ariana Grande, Beyoncé, Bruno Mars, Dua Lipa, Lizzo, Mariah Carey and Taylor Swift, among others. The label claims these songs were used without proper licensing in order to enhance Crumbl’s brand presence and drive sales.

“Defendants have misappropriated at least 159 of the most popular and valuable sound recordings and musical compositions in the market, using those creative works to build [Crumbl’s] brand profile and drive massive sales… without any compensation to [WMG],” the lawsuit states.

WMG highlights several examples of alleged infringement, including a Crumbl promotional video for blueberry cheesecake cookies featuring Lil Mosey’s ‘Blueberry Faygo’, another using Coldplay’s ‘Yellow’ to market yellow sugar cookies, and a third promoting Kentucky butter cake with BTS’ hit ‘Butter’. The music used in the videos often features the most recognisable parts of the songs, such as hooks or choruses, and runs the full length of the clips.

In addition to producing and posting the videos directly, WMG claims Crumbl collaborated with influencers who received benefits such as payments and other incentives to promote the brand while using unlicensed music. These collaborations, the lawsuit alleges, were part of a deliberate strategy to amplify Crumbl’s online visibility through infringing content.

The lawsuit further states that Crumbl continued to post videos with unlicensed music even after receiving a cease-and-desist letter from WMG in 2023. In support of its claims of wilful infringement, WMG cites a January 2024 TikTok video in which Crumbl admitted, “We were gonna make a funny video to promote Mystery Cookie, but legal said we can’t use any trending audios.”

WMG is seeking statutory damages of up to $150 000 per infringed work, which could amount to a total of $23.85 million. The company is also seeking a permanent injunction to prevent any further use of its copyrighted content by Crumbl.

Founded in 2017 in Utah, Crumbl has grown rapidly and now operates over 1,000 locations globally, employing more than 29,000 people. According to Reuters, the company has been exploring a potential sale since January, with its valuation estimated at around $2 billion.

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