NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

A year on, Zimbabweans remember Oliver Mtukudzi

23 Jan 2020 - 13:57

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Today marks a year since Zimbabwean musician Oliver ‘Tuku’ Mtukudzi passed away at the age of 66.

The late Oliver Mtukudzi. Photo: Mário Pires

Tuku’s daughter, Selmor Mtukudzi, shared screenshots on Facebook of the final WhatsApp message she received from her father. In the message, Mtukudzi tells his daughter he is feeling better but that his singing has seen better days.

“I have a song that I will send to Aaron, on which I want you and Shupi to add your voices. It's about us as a family,” Mtukudzi’s message reads translated to English. “Shami, Sybil and auntie Bybit also have their own parts in the song. I will try give lyrics to each of you.”

The screenshots of the message were accompanied by a note in which Selmor tells her father that she misses him:

“Dad, it will be a whole year on the 23rd of January and yet my heart still skips a beat when I hear your music played. My heart beats when they refer to you as ‘the late’. I still can't believe it. It is very difficult for me to go through our messages to each other. I can't stand the thought that I will never see another message from you.”

Music In Africa spoke to Mtukudzi's former backing vocalist, Vimbai Zimuto, who joined Tuku's Black Spirits Band in 2007.

"He was one of the humblest people I ever met and working with him was a blessing," she said. "I learnt a lot of things from Tuku. He was that selfless person who would always correct you in a very respectful way; he respected everyone around him. Whenever I think of Oliver Mtukudzi, I remember moments on stage that were often unexpected. He would sometimes say, ‘Vimbai, solo,’ you know? Then I knew I had to do a solo without having practiced beforehand. It made us the artists we are today.

"On days like today, people will find it easy to play his music but some of us find it difficult because we remember moments that most people never saw.”

Another former band member, marimba player Charles Chipanga, praised Mtukudzi for being an unfaltering bandleader.

"Tuku was a master at his game who never considered quitting at any point," Chipanga told Music In Africa. "He might wake up not feeling too well but he would say, 'The stage heals me'. That's how much of a fighter I knew him to be. I learnt some of the best instrument arrangement skills that I still use up to now. I used to play marimba before I met him but he made me fall in love with other instruments. I believe I gained more from him than I contributed to his legacy. May his soul rest in peace."

Tributes have also come in from the media fraternity, with veteran arts journalist Garikai Mazara sharing his thoughts about Mtukudzi’s contribution to his country.

“It’s been a year, and there will be many more years to come, but people in the mould of Mtukudzi do not die,” Mazara, who extensively covered Tuku’s musical career, wrote on Facebook. “Listening to any of his compositions, it all seems like he is simply in the next room. He is so much alive. If there is any person, probably except for Robert Mugabe, who put Zimbabwe on the world map, it was this man. May his music and influence continue to inspire generations to come.”

Lesotho-based Zimbabwean journalist Silence Charumbira shared his memories of Mtukudzi. “Many years prior to his own departure Oliver Mtukudzi had lamented, ‘What is a hero? Do I have to die to be a hero?’ And indeed, the conferment came when he was gone. For me, he was [a hero] long before the fateful day. Just as there are many other artists and individuals who toil day and night for their country and families. You are all heroes."

Mtukudzi's label, Tuku Music, yesterday said it would release a video titled 'Kusateerera' on the first anniversary of the musician’s death. The video was shot by Mtukudzi to honour his dear friend Hugh Masekela, who died on the same day, 23 January, a year earlier.

"We are a day away from the 23rd of January, which is the day that we lost Dr Oliver Mtukudzi last year, and also the same day we lost Hugh Masekela in 2018,” a social media statement by Tuku Music reads.

“Before Dr Mtukudzi passed away, he set out to shoot a music video in memory of his friend and brother Dr Hugh Masekela. He worked on this video of the song 'Kusateerera' and finished shooting it in Harare but we didn't release it before he passed away and now both icons are no longer with us but their music is still very much alive and we will continue to celebrate them in various ways."

Watch 'Kusateerera' below:

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