NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Zahara: People say negative things about me

01 Feb 2018 - 11:17

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South African singer Zahara became a household name following the release of her debut album Loliwe, which went double platinum 17 days after its release in 2011. Born Bulelwa Mkutukana, the singer is also a philanthropist through her Zahara Army foundation and owns various businesses.

Zahara will be performing at the Lyric Theatre in Johannesburg on 3 February.

In July last year, the ‘Umtwalo’ hitmaker announced that she would start running a money lending and taxi business as well as a butchery. Her businesses are in "full swing" and run by her parents and sister. Zahara’s other interests are vested in the music industry. She started her own record label called Music Lives Here Records and has already signed one artist called Skhumbuzo.

Zahara, who last year signed with Warner Music and saw her sixth album Mgodi reach gold status in the first six hours of its release, spoke to Music In Africa ahead of her Lyric Theatre performance In Johannesburg on 3 February.

MUSIC IN AFRICA: What was the most difficult part of your journey into the music industry?

ZAHARA: Music is my life, I tell stories. For our line of work, nobody prepares you. It’s not like studying to become a doctor or a teacher because they prepare you in tertiary education. It is easy for a musician to become a star when they are five years old. You learn as you go.

If you are going to be an entertainer, you must remember one thing — have a big heart. Otherwise you could end up doing things you’re not supposed to do and you could possibly die. I broke into the industry with Loliwe. I just wanted to inspire, I didn’t want to do interviews or appear on TV.

I’m always mocked and people say negative things about me. But I am only here for my music and that’s what I wish they would focus on. We must talk about the music, not me, and we should focus on the story. Nobody focusses on the Zahara Army foundation. My story in the music industry is too clean for people to believe. I was once given a public visit by Mandela. He listened to me while i was singing in my bedroom.

Did you ever feel like quitting music?

There’s a time I wanted to go back home. But my mum told me that a child is born possessing talent. It is up to them to leave it or hold on to it and move forward. The industry is not cruel, it is the people in the industry that make it unkind. The music industry is there for the people. I had to be strong.

If you could start over what would you do differently?

If I could go back and start again, I wouldn’t do anything different. This is my journey, this is how things are meant to be. The hardships I’ve been through made me the person I am. Today I run a company called Music Lives Here Records. And I’m with Warner Music Group, which is international. My inspiration, Tracy Chapman, is signed to Warner Music Group. That is the work of God. I had to experience what I went through in order to be who I am today.

What inspired you to start Music Lives Here Records?

When I left TS Records, I learnt the same way a child does at school. TS Records was like tertiary education. Now I have graduated and what do I do with the degree that I have? I don’t sit with it, I take it further. I thought about the times I was still in the village, hoping that someone will give me this opportunity. Now I’m creating that opportunity for other girls and boys. Skhumbuzo, she’s gold, you are yet to hear her. It’s about honing their talent. And she has zeal for this thing. She will blow.

Do you get nervous before you do a gig?

I’m nervous when I’m going to perform for five people. I always pray before performing. But after the first song I am usually okay.

How are you feeling ahead of your show at the Lyric Theatre?

I’m looking forward to Gold Reef City. It’s not about the moment, it’s not like people don’t know that I have to write, it’s not like I don’t know that I can sing. I don’t have to prove myself. I don’t have to wait to be invited to a festival for me to have a show.

Whoever hasn’t bought their tickets must go get them. I am a storyteller. They must come to hear my story. If you want to hear my story, go get your tickets. It’s obvious that I’ll have a live band.

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