NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zanzibar: Busara Promotions in search of project evaluators

15 Jul 2021 - 14:31

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The board of Busara Promotions in Zanzibar, Tanzania, is looking for a team of one or two professionals to conduct an end-term review evaluation for the Royal Norwegian Embassy’s core support for the first phase of its 2019-21 strategic plan.

Sauti za Busara founder and director Yusuf Mahmoud.

Busara Promotions exists primarily for the promotion and development of musicians and related professionals through its flagship project, Sauti za Busara music festival. The cultural organisation strives to uphold and advance the power of music and art in society and the artist’s important role in keeping cultural traditions alive.

This exercise is commissioned by Busara Promotions under a signed agreement with the Norwegian Ministry of Foreign Affairs, represented by the Royal Norwegian Embassy (RNE) in Dar es Salaam.

The evaluation process seeks to:

  • Assess the results achieved compared to the results framework (effectiveness).
  • Estimate the project’s probable effect on society (impact) to the extent possible and see if the project will continue if funds are withdrawn (sustainability).
  • Generate evidence of key achievements and challenges to inform the decision-making processes of the donor.
  • Generate an understanding of which delivery mechanisms work best and how they can be improved in the future.

Eligibility

Applicants should demonstrate the following:

  • Proven experience and expertise in the design and implementation of participatory evaluation methodologies.
  • Proven expertise in the field of culture in developing countries.
  • Ability to draft concise evaluation reports of high-quality in English.
  • Excellent analytical, interpersonal and communication skills.
  • Willingness and ability to travel to Tanzania to conduct the fieldwork.
  • Knowledge of the Swahili language is desirable but not a precondition for qualification.

Requirements

Interested applicants should submit the following documents:

  • A cover letter with a brief description of relevant previous experiences in evaluating and monitoring projects (one A4 page max).
  • One recent example of a previous evaluation.
  • Contact details of two references expected to support claims of knowledge, skills and experience.
  • A CV.
  • A proposed work plan.
  • Consultancy fee.

All requirements must be sent to Safina Juma at [email protected] by 14 August.

The successful applicant(s) will be notified by 21 August.

Selection process

Applicants will be vetted based on:

  • Demonstrated understanding of the needs of the assignment (40%).
  • Relevant qualifications and experience of the evaluator(s) (40%).
  • Work plan (20%).

The evaluation report should contain the following:

  • A list of recommendations regarding the orientation and further development of the project, based on findings and lessons learnt.
  • Where appropriate, indications on additional tools and resources to be used for more effective and meaningful impact.

Responsibilities

The successful candidate(s) will be expected to cover the following elements:

  • Effectiveness – The evaluation will assess the extent to which the project has attained its objectives concerning the results framework and the immediate effect of the project’s outputs on the target group.
  • Impact – The evaluation will assess the positive and negative (long‐term) changes produced by the project, directly or indirectly, intended or unintended. This includes the main effects of the project on institutional, social, economic, environmental and other dimensions.
  • Sustainability – The evaluation will assess if the project is likely to continue if funds are withdrawn.

More information on the evaluation methodology is in the full terms of reference document attached below (in PDF).

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