NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zee Nxumalo featured on Times Square billboard, GQ South Africa cover

Sibongile Kobo By Sibongile Kobo

03 Jun 2026 - 11:32

cc-img flag-img

South African singer Zee Nxumalo has reached two significant career milestones following the release of her latest EP, Izinja Zam Vol. I, with her image appearing on a billboard in New York City's Times Square and on the cover of GQ South Africa.

Zee Nxumalo.

The developments come amid increased attention surrounding the artist’s new project, which was released recently and has contributed to growth in her streaming figures. The EP marks a departure from some of her earlier work, incorporating more introspective themes and personal storytelling.

At 23, Zee Nxumalo has emerged as one of South Africa's leading music acts in recent years. Her latest achievements follow a period in which she was recognised as the country's most-streamed female artist and has continued to expand her audience both locally and internationally.

“This moment is honestly bigger than me,” Zee Nxumalo said. “To see my face in Times Square and then to open my phone and see the love for the GQ cover at the same time is crazy. I’ve always believed that dreams are valid no matter where you come from. Everything that’s happening right now is proof that South African artists can dream as big as anybody in the world. I’m grateful, I’m hungry and I feel like we’re only getting started.”

The singer is also preparing for her first Australian tour later this year and is scheduled to perform at the upcoming edition of the music festival Afro Nation Portugal.

Her co-manager, Shingai Darangwa, founder of Punchline Projects, said the recent milestones reflected years of work behind the scenes.

“Artists don’t accidentally arrive at moments like this. Zee has spent years building a catalogue, building a fanbase and building a movement,” Darangwa said.

“What we’re seeing now is the result of consistency, belief and an artist who refuses to put limits on how far she can go. The Times Square billboard, the GQ cover and the international touring opportunities are not destination points. They’re confirmation that the vision is working.”

Wandile Madondo, founder and principal of TGTM and Zee Nxumalo's musical director, said the response to the EP had reinforced confidence in the direction of her career.

“The reception to Izinja Zam Vol. I has been incredibly affirming because it validated exactly what we felt while creating the project,” Madondo said.

“More than the numbers, it’s been encouraging to see audiences connect with the music in a meaningful way.”

“Zee is entering a new phase of her artistry. The music is becoming more intentional, the storytelling is becoming more layered, and her confidence as a creative is growing with every release,” he said.

“The billboard, the GQ cover and the international opportunities are incredible milestones, but they’re not the destination. They’re indicators of momentum.”

The latest developments add to a growing list of international opportunities for the singer as she continues to build her profile beyond South Africa. With festival appearances, overseas touring plans and increasing global visibility, Zee Nxumalo's career continues to gain momentum on the international stage.

Contributor: Wandile Moloi

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media