NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zim govt urged to license community radio stations

13 Feb 2018 - 15:33

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As the world celebrates World Radio Day, the Zimbabwe Association of Community Radio Stations (ZACRAS) has said the new Zimbabwean government has made no efforts to license community radio stations in the country.

Permanent secretary in Zimbabwe's Ministry of Information and Media George Charamba.

ZACRAS, which is celebrating World Radio Day locally under the theme Sport and Cultural Diversity, said there had been no movement in terms of improving the broadcast media landscape in Zimbabwe. The association said that public broadcaster the Zimbabwe Broadcasting Cooperation (ZBC) remained captured by the state and closed off to Zimbabwean citizens with an editorial thrust that was highly partisan while no community radio was licensed.

“It [the government] has not done anything yet. We are hoping that the many promises that the new government has made, and continues to make, will live to see the light of day and among them media reforms,” ZACRAS chairperson Perlagia Kapuya told Music In Africa.

“Community radios are amazing tools for community development because they focus on what happens in their respective communities and community members can share information and solutions to address their shared challenges.

“They then strategise for advocacy and lobby if the problems require an outside authority to solve. It’s the nature of community radio to be wholly community-owned so they are neither private- nor state-owned. We have 28 such common radios in Zimbabwe," she said.

Kapuya said music played a significant role in developing countries. “In a country with high levels of poverty, unemployment, political intolerance and other social ills, music has managed to unite the people of Zimbabwe and is a source of hope and comfort.”

She challenged Zimbabwean President Emmerson Mnangagwa to create a platform for new radio stations ahead of the elections in July.

“It's one thing to say there will be free and fair elections but another to actually act in a manner that substantiates the pronouncement,” Kapuya said.

“There can never be free and fair elections if there is no freedom of expression. If laws such as the Access to Information and Protection of Privacy Act are still being used to strangle citizens' voices, if there is selective operationalisation of the Broadcasting Services Act, then the pronouncement is just a talk show. There is no free and fair election without media freedom.”

Asked if there was any reason to celebrate World Radio Day considering the harsh media laws in the country, Kapuya said: “There is always something to celebrate when it comes to community radios, because even when radios are lacking, communities are there and in their small ways they are making strides in sharing information among themselves using whatever media is accessible to them.

“However, the licensure of community radios, which is meant to amplify community voices, can never be overcalled, and if you look at it from that angle, there is little to celebrate in a country where there is not even a single community radio licensed to broadcast.”

Meanwhile, a number of Zimbabwean community radio stations that are currently only able to operate online have echoed ZACRAS' call for media reform.

“As we celebrate this day, Nkabazwe Community Radio Station wishes to remind the government of Zimbabwe to license community radio stations, as these are mediums for community development. Radio brings colours of life to the fore through the power of voice and sound,” Nkabazwe Community Radio, which operates in the central Zimbabwean city of Gweru, said in a statement.

Patsaka NyamiNyami Community Radio, which services the community in Kariba in the north, said: “We also urge the Zimbabwean government to start effecting media reforms by opening up airwaves to community broadcasting in a bid to foster community development. However, a lack of will to do so will not defeat the purpose of community radios, which are all over Zimbabwe.”

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