NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zim Hip Hop Awards 2021: All the nominees

17 Nov 2021 - 08:56

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The nominees of the 2021 Zim Hip Hop Awards (ZHHAs) were announced ahead of the awards ceremony sometime in December.

Kikky Badass is among the nominees. Photo: Facebook

The nominated artists include Holy 10, R Peels, Kikky Badass, AWA and King 98.

“In 2021 we celebrate the 11th anniversary of the Zimbabwe Hip Hop Awards,” the ZHHAs said in a statement. “Yes, the awards have been held consistently for the past 10 years under challenging circumstances. Having come this far, the Zimbabwe Hip Hop Awards 2021, aka ZHHA10, will continue to celebrate its decade of hip hop industry achievements in glitz and glam, despite the challenges of COVID-19.”

Below is the full list of nominees:

Best Male

  • The Dawg
  • Holy 10
  • Volts
  • R Peels
  • Crooger

Best Female

  • Noluntu J
  • Kikky Badass
  • Skillz Tha Louche
  • Tashamiswa
  • AWA

Best Collaboration

  • Muse ft. Asaph – ‘Pressure’
  • Nizzy Raps ft. William Last KRM – ‘We Up’
  • Mile ft. Marques – ‘Rasta’
  • Volts & Holy Ten – ‘How Far’
  • Adrizzy ft. various artists – ‘Amasalad Eloksion’
  • Kikky Badass, Crooger – ‘Kurunga’
  • Rpeels ft. Volts – ‘Zino’

Best Hip Hop Group/Duo

  • Killemol
  • Crisswiss and The Dot
  • Crooger and Kikky Badass
  • Tr3y Xl, Mcknife and The Mystry Boys Dze Smoko
  • Cottage 47

Best Producer

  • Tha Dawg
  • Afrow Zenda
  • Phanas
  • Mcknife
  • Jon The Producer
  • Ba Sushie

Best Newcomer

  • Stiiv
  • Volts
  • Luminous
  • Dough Major
  • Monster

Best Brand Supporting Local Hip Hop

  • Cottage 47
  • Magamba Network
  • Big Bass
  • Kingsville Clothing
  • Ceramic Pro

Best Album

  • R Peels – Revelations
  • Crooger – Concrete Jungle
  • Holy Ten – Risky Life
  • Dough Major – Shebeen Rap Vol 2
  • The Dawg – Phases
  • Malcom Mufunde And Synik – Trash

Best Promoter

  • Big Bass
  • Cottage 47
  • Magamba Network
  • Zazise Media

Best Diaspora

  • Chief Chino
  • Kuda K
  • Dumi Right
  • Awa
  • Dimitri and The Scarecrow
  • Mlue J

Best Radio DJ

  • Lady K and PD
  • Promethious
  • DJ Mox
  • Khekhe

Best Gospel Act

  • Joe Chiz
  • Top Kriss
  • Nta
  • J Soldier
  • D Moses

Best Underground

  • Vi The Law
  • Malcom Mufunde
  • Stiiv
  • Hfiles
  • Reap3r
  • Ktox

Best Alternative

  • King 98
  • Kae Chaps
  • Dough Major
  • Noluntu J
  • Tylor Wayne
  • Lord Skills

Best Media Online

  • The 263 Post
  • The Juice Magazine
  • Zimsphere
  • Zazise
  • Keep It Real Fridays
  • Zim Hiphop Market

Best Journalist

  • Denzel Sambo
  • Spekktrum
  • Mukudzei Mlambo
  • Elmond Chibaya
  • Takudzwa Kadzura
  • Mthabisi Tshuma

Song of The Year

  • Holy 10 – ‘Wakatuka Amai’
  • Volts – ‘These Days’
  • Rockie Doub – ‘My Shine’
  • Mile Ft Marques – ‘Rasta’
  • Mitch Uta – ‘Nothing Is Free’
  • Muse – ‘Presure’

Video of The Year & Video Director of The Year

  • King 98 – ‘Chini Juu’
  • Kent – ‘Movie’
  • Mile – ‘Rasta’
  • Mitch Uta – ‘No Lie’
  • Muse ft. Asaph –‘Prssure’
  • Kikky, Crooger – ‘Kurungga’

Best Hip Hop Hustle

  • Oscar Utete
  • Tashamiswa
  • R Peels
  • Rockie Doub
  • Holy 10
  • Kikky Badass

Best Hip Hop Verse (Sweet 16 Award)

  • Indigo Saint – ‘93 Till Infinity Freestyle’
  • Mile – ‘Rasta’
  • Dough Major – ‘S0 Slow’
  • Mitch Uta – ‘Nothing Is Free’
  • Stiiv – ‘Hitlab Cypher’
  • Malcom Mufunde – ‘Boom’

Hip Hop Personality of The Year

  • Mitch Uta
  • Kikky Badass
  • Indigo Saint
  • Rpeels
  • Holy Ten

People’s Choice

  • Kikky Badass
  • Dough Major
  • Indigo Saint
  • Luminous
  • Crooger
  • Volts
  • Holy Ten
  • King 98

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