NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zimbabwe Jazz Community Trust to host festival

22 Sep 2017 - 11:39

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The first edition of the Zimbabwe Jazz Festival will take place at Alliance Française/Chez Zandi’s in Harare on 23 September.

Josh Meck will perform at the Zimbabwe Jazz Festival.

Initiated by Zimbabwe Jazz Community Trust (ZJCT), the event will feature an array of local jazz musicians performing from 2pm to 10pm.

The fiesta features jazz artists such as Vera, Frank Mavhimira, Vee Mukarati, Raven Duchess and Africherry. Other performers expected include Rhythmic Pulse, Mbare Trio, Josh Meck, Intotal, Rute Mbangwa and Tanga wekwa Sando.

“The Zimbabwe Jazz Community Trust plans to make Zimbabwe Jazz Festival an annual event for the enjoyment of jazz enthusiasts in the country," said the organisers. "The Festival is unique in that it brings together strictly jazz musicians."

Speaking to Music In Africa, chairperson of the ZJCT Robert Basvi explained what motivated them to host the festival. “This event is a culmination of the weekly jazz shows but most importantly our mission as ZJCT is to revive jazz in Zimbabwe,” he said. “It goes without saying that before the introduction of the weekly jazz shows by ZJCT, there were many places claiming to host jazz shows which would however turn out to be other genres not jazz.

"So on a weekly basis our technical team namely Filbert Marova, Tinashe Mukarati and Clancy Mbirimi identify both seasoned and upcoming jazz artists who they work with and assign a theme for the week featuring the music of international jazz artists, Afro-jazz and local jazz including township jazz.”

Asked why they did not feature foreign jazz acts, Basvi said: “Those are only a few artists we have featured on our weekly Back to Jazzics shows. At this inaugural festival we are not featuring any foreign artist but it is our intention to feature foreign artists from next year going forward as this will be a yearly event.”

He added that the festival will incorporate youths. “We will carry out workshops and school sponsorships. We feature youngsters as opening acts on our weekly jazz shows and once they have proven their worth they graduate to presenting their own full shows.”

Music In Africa also spoke to director of Alliance Française in Harare Frank Chabasseur who described the kind of support they are extending towards the festival. “Alliance is giving its technical support in all aspects of the event, from communication to logistics. The Zimbabwe Jazz Community Trust, recently registered, is our ‘creative’ partner they are responsible for the relationship with musicians and the lineup,” he said.

Commenting on the state of jazz music in the country Chabasseur said: “The jazz scene is a bit over shaded by other more popular music styles in Zimbabwe. When we started our Sunday afternoon event ‘Back to Jazzics’ sessions a year ago, we didn’t think we could attract, in fact, a very loyal and growing crowd, Sunday after Sunday.

He explained why they decided to launch the festival. “Discovering there was a committed and numerous audience for Jazz, we decided to organize a bigger event, this coming festival, to showcase the most talented jazz musicians who have performed at Back to Jazzics and that Zimbabwe has to offer.”

Apart from supporting Zimbabwe Jazz Festival, Alliance Française is instrumental in helping other music events in the country. “Alliance Française de Harare has been partnering with HIFA since its inception in 1997. We present a show every year and sometimes give some technical support. In the 2017 edition of HIFA, we financed a workshop for sound engineers and brought to HIFA an expert sound engineer from Reunion Island.

Made possible through funding from the French Embassy, Alliance Française and Chez Zandi's, the Zimbabwe Jazz Festival was born out of the weekly Sunday Jazz concerts (dubbed Back to Jazzics) hosted by ZJCT, a brainchild of renowned Zimbabwean jazz musician Filbert Marova.

All tickets will be sold at the gate. Entry is $10 for adults and $5 for children.

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