NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Morena Leraba

Morena Leraba

Bands /groups
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Mafeteng, Lesotho

In operation since:

2016

Contact person:

Morena Leraba

BIO

Morena Leraba is a famo musician from Lesotho.

Over the past six years, Morena Leraba has emerged as the flagbearer of a remodelled Lesotho sound through a brace of collaborations, live performances and singles. Now, in 2020, Leraba is poised to take that sound to an even wider global audience, with a full-length solo record in the works that will provide a showcase for his singular sound.

As heard on songs like 'Mpuli', and 'Impepho', Leraba’s music fuses homegrown, traditional famo-inspired vocals with electronic music, dub and echoes of hip hop, to create a psychedelic and entrancing sound that is still evolving.

Writing in 2017, journalist Kwanele Sosibo said Leraba “has the air of a musical nomad in search of a new identity but with the vaults of history to mine from”. Those vaults of history include famo – a sub-genre of traditional Sesotho music based on the accordion and originating from Lesothoʼs long-standing encounter with South Africa’s migrant labour system.

In creating his solo work, Leraba will be building off the stellar contributions he made to recent recordings. One of these was with BLK JKS on their late 2019 single “Harare” where, in a display of his musical gifts, Leraba contributed both vocals and lyrics to the track. “The lyrics came naturally,” says Leraba. “The whole migration thing, people tell you what they go through working in South Africa without proper documentation. It’s a big topic in the famo scene.” His voice also provides the spiritual roots for “Johannesburg”, the first single off Africa Express’s 2019 record, EGOLI – a song that also features Sibot, Radio 123, and Gruff Rhys (Super Furry Animals).

Until now, much of the mystique surrounding Leraba stems from his roots in Lesotho, a mountainous country that is enclaved within South Africa. Like most of his countrymen, he spent much of his youth working as a shepherd (in the village of Ha Nchela), taking inspiration from the solitude that tending animals brings. “If you’re from Lesotho, being a shepherd is a common thing,” he says. “Growing up I was a shepherd, but I also went to school and then university.” Still, the experience remains pivotal. “Being alone in the mountains you create your own stories every day, and I developed an awesome communication with nature and animals.”

For Leraba, retaining deeply-sunk roots in Lesotho is more than sentimentality: it’s the stuff of his creative life. “These are memories of old and here lies our strange truths – stories from our grandmothers, of underworld waters, villages and other-worldly beings – and you have seen this before (arcane ways of our people). Our futurism – old riddles have become new.”

Leraba made his first appearance on the international scene in 2014 when he was featured on the song “Do You Know Know Lesotho” by a Cape Town/German band, The Freerangers. The single “Bojete” followed which earned the attention of Brooklyn-based producer, Kashaka, leading to a collaboration on the song “Lithebera.

Alongside BLK JKS (who have also featured him as a guest during live performances over the past few years), Spoek Mathambo has also championed Leraba’s talent and, in 2017, he played Banlieues Bleues Jazz Festival – Paris as Mathambo’s guest artist. Other high-profile solo performances have included AFROPUNK Joburg (2017 and 2019), MTN Bushfire Festiva (2019) and Oslo World Festival (2019).

Leraba is currently working with a live band that includes Thamsanqa Ngwenya (marimba and vocals)m Bronwen Clacherty (percussions and vocals), Molaoa Resholofetse Mosola (drums), Molefi Makananise (bass), Lebogang Edgar Dichabe (guitar) and Steven Hogg (synthesizers). As he moves into a bigger creative plane and prepares to record his debut record, this remarkable artist is driven by a need to reflect, in music, “…our other-worldly journeys – our spiritual transcendence”.

Photos

Music

Qhanyane sa Marumo

Morena Leraba
04:43

Shongo Foo - DJ Spoko, Morena Leraba and Andre Geldenhuys

Morena Leraba
03:41

Mehau

Morena Leraba
04:22

Oa Mpona (You See Me) - DSB featuring Morena Leraba

Morena Leraba
04:37
Morena Leraba

Morena Leraba

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