NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Johannesburg, South Africa

In operation since:

2019

Contact person:

Muneyi

BIO

Muneyi’s music is a gift one that holds space for healing,
reflection, and an unfiltered exploration of the human spirit.
Rooted in storytelling, his sound is an intricate weaving of
childhood memories, folktales, and the wisdom of his elders,
blended seamlessly with contemporary textures. His voice carries
the weight of lineage, yet it is undeniably his own raw, tender, and
unwaveringly honest.

A multifaceted, Standard Bank Young Artist for 2025, the multi award-winning artist, Muneyi’s artistry transcends
language. His songwriting, recognized by the 2024 PanSALB Award,
is deeply personal yet universally resonant. His debut album,
Makhulu, released in 2021, explored themes of love, loss, and healing
with the kind of depth that feels both ancient and strikingly present.
In 2023, he followed up with the EP For The Boys I Like, an intimate
project that peeled back layers of love, sexuality, and abandonment. His 2025 self reflection and self forgiveness project There's A Burning Sensation Where My Heart Used To Be is his latest offering, giving us warm, singer-songwriter energy.

Born in Tshilapfene, a small village outside of Thohoyandou in 1995
and raised by his grandmother in a religious neutral household. It
was his love of language which came to the fore firstly with debate,
public speaking, ready and spelling bees in primary and secondary
school. Upon finishing school he picked up the guitar for the first
time and found a home to express his own narrative, in the language
of Tshivenda.

He has shared stages with some of South Africa’s most relevant artists: Sho
Madjozi, Msaki, Zoë Modiga, The Muffinz, Nduduzo Makhathini,
Buhlebendalo, Nonku Phiri to name a few. With collaborators such as
Kekelingo and Leomile, he is focussed on building a community, which can
support each other and allow a new movement of Folk artists to take their
message to the world.

● 2025 Standard Bank Young Artist Award recipient for Music
https://mg.co.za/friday/2025-04-18-muneyis-time-has-come/

●We are culture - a standard bank exhibition curated by Bee Diamond head
that saw the reopening of Standard Bank Gallery after closing down for two
years. This was alongside arists such as Muofhe Manavhela
Links: 1.https://twyg.co.za/13-young-artists-demand-our-attention-at-the-we-are-cu
lture-exhibition/
https://www.artafricamagazine.org/standard-bank-gallery-presents-we-are-cul
ture-a-celebration-of-multidisciplinary-creative-talent-curated-by-bee-dia
mondhead/

● Played Rocking The Daisies (Main Stage)
https://rockingthedaisies.com/

●Joy Of Jazz with Mahube band

●Joy Of Jazz 2025

●Bushfire 2025 with Litsomo

●Saudi Za Busara 2025 with Swahili Encounters

What the press has to say:
https://www.blazonmagazine.co.za/joy-of-jazz-returns-with-the-ultimate-africa
n-jazz-experience/

https://www.bizcommunity.com/Article/196/480/231204.html

HughFest twice (2021 & 2022)
https://www.iol.co.za/the-star/news/the-hugh-masekela-heritage-festival-is-bac
k-4ead7107-3f14-4e47-8384-9596cecb6ab8

“The South African Venda-Folk singer unveils his first official body of work,
inspired by a healing experience and a meeting with the gods.

https://pan-african-music.com/en/muneyi-makhulu/
“Gentle guitar riffs and Muneyi's pining voice permeate Lufuno, imbuing the
song with a sense of longing or, rather, loss.

https://www.timeslive.co.za/sunday-times/lifestyle/2021-05-16-muneyis-album-
makhulu-is-filled-with-lessons-in-love-loss-and-healing/
“Between the complex jams and sparse beating of Makhulu, Venda indie-folk
Muneyi artist crafts an ode to his grandmother.

https://www.gq.co.za/culture/entertainment/gq-exclusive-muneyi-talks-lessons
-in-love-loss-healing-and-his-debut-album-makhulu-f3ec0ada-ec4c-49a6-
a6b2-7774393c77ff
“Makhulu is the gift itself. It is a gift that honours the language he learned
before his feet knew how to propel his body. It is something that he
learned from his grandmother. It reflects everything he carries in his heart
from home and honours his grandmother.

http://sacreativenetwork.co.za/2021/05/makhulu-an-album-for-muneyis-grand
mother/
“Muneyi, right from the start of the evening, set the bar high with his
well-oiled, rousing renditions of Tshivenda ballads. His set felt like the most
complete performance, from the inspirational songs and his considerable
vocal talent, to a warm and humble stage presence that connected
directly with his audience. He produced the loudest applause of the night,
which is no mean feat when you’re first up on that stage.

https://afropunk.com/2019/12/muneyi-shameless-win-joburg-battle-of-the-ban
ds/

Follow Online:
https://www.instagram.com/muneyi_ /
https://www.facebook.com/MuneyiR
Watch:
https://youtu.be/BRn3l8hydOM
Listen: https://africori.to/makhulu /

Photos

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