NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Prix Découvertes RFI 2020 : les 10 finalistes connus

Home/Non classé/Prix Découvertes RFI 2020 : les 10 finalistes connus

JsideB, Sénégal

JsideB, de son vrai nom jean Baptiste louis, est un artiste sénégalais evoluant dans le hip hop depuis 2010. Auteur-compositeur et interprète, il est l’auteur des singles « Delousil » et « Demb ».

[video:https://www.youtube.com/watch?v=4C2PM29r8Mw width:850 height:480 autoplay:0]

Moonaya, Sénégal

Artiste sénégalaise aux origines béninoises, Moonaya est une des perles hip hop du pays de la Teranga. Médaillée d’argent au jeux de la francophonie à Abidjan (Côte d’ivoire) en 2017, elle expose tout son talent et son engagement social dans le single « Il est temps ».

[video:https://www.youtube.com/watch?v=3Nk-Dq_NjBg width:850 height:480 autoplay:0]

Mamy Cruz, Sénégal

Mamy Cruz vient compléter la liste des candidats sénégalais au Prix Découvertes RFI 2020, faisant du pays de la Teranga, la nation la plus représentée dans la liste des finalistes cette saison.

Praticienne d’une musique de fusion aux inspirations traditionnelles, elle célèbre la richesse de la culture peule dans son single « Pouloh ».

[video:https://www.youtube.com/watch?v=doDYyji_g_c width:850 height:480 autoplay:0]

Ami Yerewolo, Mali

Elle est un véritable symbole pour ces artistes maliennes qui rêvent de briller sur une scène locale fortement dominée par les hommes ; compositrice et rappeuse, Ami Yerewolo s’exprime avec assurance dans « Je gère ».

[video:https://www.youtube.com/watch?v=quUG2HAHQIU width:850 height:480 autoplay:0]

Mike Kayihura, Rwanda

Comme son compatriote Yvan Buravan il y a 2 printemps (2018), Mike Kayihura, artiste rwandais, figure parmi les 10 finalistes du Prix Découvertes RFI 2020. Vous pouvez avoir un aperçu de son savoir-faire avec le single « Sabrina ».

[video:https://www.youtube.com/watch?v=2XxSO_Dlew8 width:850 height:480 autoplay:0]

Nix Ozay, Congo

La République du Congo est bien représentée dans le top 10 des Découvertes RFI de 2020, par Nix Ozay, artiste hip hop et pensionnaire du label Big Mitch Entertainment. Ci-bas, son single afropop « Mukuyu ».

[video:https://www.youtube.com/watch?v=ClW3thOgOFo width:850 height:480 autoplay:0]

Young Ace Wayé, Congo

Young Ace Wayé est l’autre représentant du Congo dans cette liste des 10 finalistes du Prix Découvertes RFI 2020. Rappeur et lyriciste de talent, il s’est illustré cette saison avec son titre pop pour le moins engagé, « Mbok’oyo ».

[video:https://www.youtube.com/watch?v=9wu0gxckaqc width:850 height:480 autoplay:0]

Shan’l la Kinda, Gabon

Propulsée aux devants de la scène pop africaine par son single « Tchizambengue » en 2018, la Gabonaise Shan’l est une des belles promesses du continent. C’est son single « Yayayobé » qui est mis à l’avant pour sa campagne 2020 du Prix Découvertes RFI.

[video:https://www.youtube.com/watch?v=Mh1gyJhfGvs width:850 height:480 autoplay:0]

Manamba Kanté, Guinée

Manamba Kanté, c’est le nom de l’ouragan qui a secoué la scène mandingue cette année sur le continent africain. Avec une voix puissante et pleien de mélodie, la chanteuse guinéenne a séduit les mélomanes de son pays avec le single « Nany Baly ».

[video:https://www.youtube.com/watch?v=sBY2fAoYP2s width:850 height:480 autoplay:0]

NDH et DJ Ice, Tchad

Le duo tchadien NDH & DJ Ice a lui aussi convaincu le comité de sélection du Prix Découvertes RFI, qui l’a inscrit dans sa liste des 10 finalistes de la saison 2020. Dans le single « La petite », le groupe propose une musique cadencée, qui emprunte les vibes du coupé-décalé.

[video:https://www.youtube.com/watch?v=CfqU7FtkLhg width:850 height:480 autoplay:0]

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