NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Ilam, révélation Radio-Canada 2016-2017

Home/Non classé/Ilam, révélation Radio-Canada 2016-2017

« C’est avec un grand honneur que je vous annonce que radio-canada m’a choisi comme révélation en musique du monde cette année. merci du fond du coeur à tous ceux qui m’appuient, l’aventure ne fait que commencer », a souligné le principal intéressé sur sa page facebook.

Arrivé il y a deux ans au Québec, Ilam fait donc partie des artistes remarqués par cette initiative qui donne un coup de pouce aux artistes, notamment en termes de visibilité et de soutien dans le rayonnement de leur carrière. En effet, les Révélations auront accès à l’accompagnement et au soutien des animateurs et curateurs d’ICI Musique,  ils auront aussi droit à une session d’enregistrement dans les studios de Radio-Canada et pourront présenter un concert sur une scène de l’un des événements musicaux partenaires de Radio-Canada.

Originaire de Dakar, Ilam se découvre une passion pour la musique dès son plus jeune âge. Il se lance dans le milieu professionnel musical en 2005 avec son groupe de hip-hop, Beneen Squad. Le groupe se fait rapidement un nom sur la scène sénégalaise et Ilam se lance dans une carrière solo qui lui vaudra de nombreuses collaborations avec des grands du hip-hop sénégalais, comme Fou malade.

Depuis son arrivée au Québec, Ilam continue d’évoluer, perfectionne sa musique et réussit à rendre hommage aussi bien à ses origines africaines qu’à sa terre d’accueil. Sa culture, laquelle il estime être sa plus grande richesse, est sa première source d’inspiration. Artiste complet, il se démarque grâce à des textes chantés en pulaar et en wolof, qu’il marie avec du jazz, du blues, et de la soul ou encore de l’afrobeat. Ce son inimitable, dans lequel on retrouve également du reggae et de l’afrofolk, lui confère une originalité indéniable et une sincérité touchante.

La presse canadienne le décrit ainsi : « Homme de tripes, il touche fort. Dans ses chants poignants, son reggae rock métissé, son blues lancinant et même son Vigneault africanisé, il atteint la cible »

Ce n’est pas la première fois que le chanteur montréalais se retrouve devant les projecteurs. En effet il a été plébiscité lors de la Vitrine des Musiques Locales Métissées 2014, ce qui lui a valu le prix Coup de Cœur du Public ainsi que le prix Coup de Cœur de l’Équipe Spectra.

Ilam a participé aux FrancoFolies de Montréal en 2015 et a reçu l’aide du Conseil des arts de Montréal, ce qui lui a permis d’enregistrer son premier minidisque (EP) au Canada, qui est paru en novembre 2015. Chanteur et guitariste, auteur et compositeur, ILAM a su créer un style musical original, riche et vibrant, qui fusionne sonorités traditionnelles et modernes.

Lors de ces spectacles sur la scène extérieure des Francofolies de Montréal, Ilam a fait montre d’une maturité musicale évidente avec son mélange de blues, de soul, de reggae et d’afro-folk. Ilam succède au chanteur Mozambicain d’origine, Samito, révélation de l’année dernière dans la catégorie musique du monde. Samito et Ilam seront en spectacle tout au long de l’été dans les salles du Québec.

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