NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Mary Njie

Mary Njie

Solo artists
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Atlanta, United States

In operation since:

2019

Contact person:

Mary Njie

BIO

Mary Njie is a US-based hip hop artist from The Gambia.

Njie's Parents are Gambian with Sierra Leonean descendants- Abdoul Njie (Father) and Fatou Touray (Mother). She is an African American descendant of The Gambia, West Africa. Although born in the US, she spent 5 years in The Gambia where she attended prestigious Marina High School and learned to speak the native languages of Wollof and Mandinka.

She returned to the US in 2010 and was exposed to music at a very early age while her father promoted and worked with renowned African musicians such as Grammy winner Youssou Ndour, Alieu Mbaye Nder, Fallou Dieng, Thione Seck ,Viviane and various other artist most of whom where quick to have her get on stage to dance especially her mentor THIONE BALLAGO SECK who is also father of top Senegalese sensation WALY SECK.

As an aspiring actress, Mary Njie has also appeared as a guest star in the critically acclaimed Series "Maitresse D'un Homme Marie" and look forward to playing major roles in the coming years.

Mary has opened for Grammy Winner Youssou Ndour who together with famous Nigerian sensation Burna Boy just bagged another Grammy in 2021, as well as for the Golden Boy of Senegalese music 'Waly Seck' with her hit song titled 'Believe' encouraging everyone to set their eyes on the Prize and Persevere to reach and achieve their DREAMS.

She attended Shiloh High school in Atlanta and was a member of the Chorus Team which won multiple National Chorus Championships. At Shiloh, she gained valuable singing experience and attended Teen Summer camps to polish her singing skills. At camp, Mary attended workshops by the renowned Singer, Performer and multi Grammy Winner INDIA ARIE. After Graduation, MARY decided to work full time as a musician whilst attending Georgia State University.

Mary's first hit 'Believe', written by Sierra Leonean producer Ibrahim Double T has propelled her as a new artist and made her a household name within the Senegambian diaspora evident by her guest appearances and video broadcasts on almost every media channel including TFM, QTV, Sen TV, 2STv, GRTS solidified with Youtube audiences starting from Senegal, the US, the UK, Gambia, Saudi Arabia, France, Italy, Turkey , Morocco , Nigeria, Ghana and many more...

Now Mary is transforming into the Afrobeat and international music market under her own label and company Mary Music Entertainment Inc and has just released 'Jalloff Rice' reinforcing the SeneGambian laurels of the famous West African dish intensifying the debate about its origin between Nigeria, Ghana, Sierra Leone, SeneGambia, Cameroune and many more with her mesmerising piece solidifying CHEBOU JENN PENDA MBAYE as the original JOLLOFF RICE.

She teamed up with former Bracket's renowned Nigerian Guitarist Michael Osadola along with Boss Beats Records in Atlanta to do 'Jalloff Rice', as well as a song with her brother Gymee Blak (born Mansour Njie) called 'I'm in Love'.

When asked by an interviewer at Seneweb about her aspirations in music, Mary said: "I want to be like Beyonce and Beyond".

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