NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Lisa Simone & Nancy Murillo reines de Saint-Louis Jazz 2017

Home/Non classé/Lisa Simone & Nancy Murillo reines de Saint-Louis Jazz 2017

Première femme a foulé la scène du jazz festival édition 2017, le 27 avril, Lisa Simone en duo avec le guitariste sénégalais Hervé Samb a créé dès le début du concert une sorte d’alchimie entre elle et son public et assuré un spectacle de haut rang.

« All right ! Waouh ! Bonsoir, tout le monde ! Mon Français n’est pas des meilleurs, mais j’ai beaucoup de courage sur scène. Vous êtes tous mes professeurs. Si j’ai besoin d’aide, vous pourrez tous m’aider avec ma français. Sinon, je parle Anglais » invita-t-elle le public à l’accompagner et à l’encourager.

Lisa Simone est une fille de… et elle assume fièrement. D’ailleurs, elle lui a rendu hommage dans un superbe titre qui a ravi le public. Par contre, elle ne singe pas sa célèbre maman. Elle essaye plutôt de trouver son propre chemin ce qui est une force de caractère. Le style, c’est l’homme dit-on. Ici en l’occurrence, le style c’est la femme.

L’un des temps forts de son spectacle c’est lorsqu’elle s’est assiste devant son public et l’invita à fermer les yeux et imaginer un monde meilleur. S’en est suivi une ballade d’une douceur inouïe…
L’autre temps fort fût sa longue promenade en chantant dans les travées de la place Faidherbe serrant des mains, prenant des selfies et transmettant de bonnes énergies aux festivaliers.

Il faut dire que Lisa Simone avait à ses côtés aussi d’excellents musiciens. Parmi lesquels le batteur-percussionniste Sonny Troupé.

Le fils de Georges Troupé sorti de l’université du Mirail, le conservatoire national de Toulouse, l’École de batterie Agostini a obtenu le Prix supérieur avec option « Harmonie jazz » au piano. C’est vous dire s’il est talentueux. Il assimilé divers styles musicaux (jazz, gwo ka, zouk, classique, salsa).

À son tableau Sonny a enregistré avec Kenny Garrett, David Murray, Daby Touré, Reggie Washington ect. Que du lourd ! Il a vraiment cassé la baraque à Saint-Louis pour parler trivialement.  Sa musicalité et son jeu corrosif ont merveilleusement accompagné la chanteuse jazz.

L’autre musicien, c’est Hervé Samb naturellement. Le guitariste précoce – Il a monté son premier groupe à l’âge de 13 ans seulement- est l’un des tous meilleurs instrumentistes du continent.  Hyper sollicité, il a participé aujourd’hui à l’élaboration de près de 100 albums. D’une dextérité et d’une rapidité étonnante, Hervé a été à exceptionnel.

« Mon ami a écrit beaucoup de mes chansons. Je suis très contente de partager la scène avec lui. J’espère qu’on pourra continuer à faire de la musique ensemble » a dit Lisa Simone sur sa collaboration depuis 2014 avec le fabuleux guitariste.

Le lendemain de la magistrale performance de Lisa Simone, une autre femme a mis dans sa poche le public du jazz festival de Saint-Louis.

Nancy Murillo a montré en plus d’une superbe voix, de l’empathie, de la générosité et une énergie sans failles. Diva de la salsa, Nancy a chanté, dansé et assuré un spectacle où tout était maitrisé à la perfection… À suivre

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