NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Brazzaville, Congo (Brazzaville)

In operation since:

2015

Contact person:

Wayé

BIO

Artiste rappeur/chanteur de nationalité congolaise, Wayé rencontre l’art, en s’intéressant d’abord au dessin puis au théâtre, mais c’est de la musique qu’il tombera amoureux. Avec des sonorités enrichies par ses diverses expériences d’expatrié, la musique de Young Ace Wayé ne manque ni de couleurs ni de diversité.
Il a fait une partie de sa scolarité au Burkina Faso où il accompagnait son père, chercheur spécialisé en environnement. Il a ensuite passé un diplôme dans le génie minier en Afrique du sud, avant d’être steward pour ECAir, la compagnie aérienne nationale congolaise.
C’est au sein de son groupe Bones
Clique, composé de Snom, Slmsi, GRC et B-Tween qu’il fait ses premiers pas et écrit ses premiers textes. En 2014 il sort la première mixtape du groupe ̈The Bone Theory ̈ puis son EP solo ̈Dear Uncle Sam ̈.
Il décide en 2015 de se lancer en solo. Co-propriétaire de Mercure Studios, il participe en 2016 au projet ̈Ombres & Lumières : Le Prélude ̈
aux côtés des artistes Boa Mokonzi, Skrappy, Sledge et Darcy sous le label
Mercure Squad.
Lauréat des Beat Street Awards 2016 (le grand rendez- vous des musiques urbaines du Congo) dans la catégorie Révélation masculine, il sort en Juillet 2017 une mixtape Intitulée ̈Kontrol ̈ avec laquelle il remporte le Beat Street Awards de la Mixtape Urbaine de l’année. Il s’en suit une série de singles en 2018, MAMA avec Durhiel pour honorer la femme, RAMBO avec Jojo Fly, R2R avec Trancend Boy et LE BORD LA en Novembre 2018 qui lui vaut une invitation au Douala Music Art Festival en décembre de la même année où il se produit aux côtés des stars des musiques urbaines de la scène camerounaise.
L’EP Alpha Charlie Echo qu’il sort le 30 avril 2019, le confirme dans la sphère musicale nationale et lui ouvre les portes d’African Music Forum 2ème édition, rendez-vous des professionnels de la musique, puis du Mboté Hip Hop 3ème édition où il fera la rencontre de la journaliste Juliette Fievet et partagera la scène avec les plus grands noms des musiques urbaines du Congo et de la RDC.
Mais c’est assurément son dernier single Mbok’Oyo, titre relatant les réalités de son pays le Congo, sorti en Décembre 2019 et extrait de son album à venir qui lui confère un vrai succès et fait de lui une valeur sûre du rap congolais :
« On n’est pas des saoulards, faut pas nous juger, on boit des bières parce qu’il n’y pas d’eau au robinet ». Grâce à ce titre, Wayé obtient le Prix Découverte Rfi en 2020, ramenant ainsi le prix au Congo après 36 ans.
Ne s’arrêtant pas là il revisite en Juillet 2021, dans une nouvelle sauce, le célèbre titre Soûlard de Zao Casimir (Lauréat Rfi Prix Découvertes 1982). S'ensuite une tournée africaine et un concert a Paris.
En attendant son premier album l'artiste enchaine des sorties tant des singles (solo et en collaboration) qu'une mixtape intitulé en Attendant Ambition annonçant les couleurs de son album.
Il a récemment participé à International Visitor Leadership Program aux USA.
Depuis, l’artiste connait un succès grandissant auprès de sa communauté et des autres communautés africaines.

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