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Berlin’s HKW to host concert and discussion honouring Fela Kuti

Berlin’s HKW to host concert and discussion honouring Fela Kuti

Gambia: Suntou Susso announce UK tour for ‘The Path of a Griot’

Gambia: Suntou Susso announce UK tour for ‘The Path of a Griot’

Plea for support: Zim music studio damaged by hailstorm

Plea for support: Zim music studio damaged by hailstorm

Dlala Thukzin to make Ghana debut at Accra House Fest

Dlala Thukzin to make Ghana debut at Accra House Fest

Zimbabwean Afro-house artists unite for ‘Inner Visions’ compilation

Zimbabwean Afro-house artists unite for ‘Inner Visions’ compilation

CAPASSO backs global principles for fair generative AI music licensing

CAPASSO backs global principles for fair generative AI music licensing

SA: MUSA shares new album ‘UHAMBO’

SA: MUSA shares new album ‘UHAMBO’

SA: CAPASSO names 10 recipients of second CSI funding round

SA: CAPASSO names 10 recipients of second CSI funding round

Goethe-Institut Kenya brings Ghanaian and Kenyan artists together for MobiArts concert

Goethe-Institut Kenya brings Ghanaian and Kenyan artists together for MobiArts concert

SA: 2026 Music Exchange to focus on rights, AI and the entertainment economy

SA: 2026 Music Exchange to focus on rights, AI and the entertainment economy

Ghana: Mr Eazi teams up with MOLIY on new single ‘Comfort’

Ghana: Mr Eazi teams up with MOLIY on new single ‘Comfort’

NAAK and Vumaala to take SA electronic sounds to Amsterdam

NAAK and Vumaala to take SA electronic sounds to Amsterdam

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Music In Africa
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La musique africaine confirme son essor mondial sur le classement Shazam

Home/Non classé/La musique africaine confirme son essor mondial sur le classement Shazam

Ce phénomène illustre non seulement la vitalité de la scène musicale du continent, mais aussi l’intérêt croissant des auditeurs internationaux pour les sonorités et les talents africains. Selon les chiffres partagés par Apple Music, maison mère de Shazam, plus de 1 000 morceaux d’artistes africains ont intégré le Top 200 de la plateforme au cours des cinq dernières années. Parmi eux, on retrouve des figures bien établies comme Burna Boy, Davido, Rema ou encore Tyla, mais aussi de nouveaux venus qui séduisent un public toujours plus large grâce aux réseaux sociaux et aux plateformes de streaming.

La diversité des genres contribue également à cette percée. De l’Afrobeats nigérian à l’Amapiano sud-africain, en passant par la pop et la trap made in Africa, les artistes du continent s’imposent avec des styles variés, qui résonnent bien au-delà de leurs frontières nationales. Des titres comme « Calm Down » de Rema ou « Water » de Tyla ont non seulement battu des records sur Shazam, mais se sont aussi hissés dans les classements mondiaux de streaming et sur les ondes des radios internationales.

Selon la plateforme, 12 titres africains ont atteint le Shazam Global Top 10 entre le 1er juillet 2024 et le 30 juin 2025. Parmi eux figurent notamment « With You » (ft. Omah Lay) de Davido (Nigeria), « Venus » de Faceless & Serøtonin (Nigeria), « Show Me Love » de WizTheMc (Afrique du Sud) et Shake It To The Max (FLY) [Remix] de MOLIY (Ghana). À noter que Gims, avec son titre « NINAO », est le seul artiste francophone à figurer dans ce palmarès.

Pour de nombreux professionnels de l’industrie musicale, ces chiffres confirment un basculement. Les artistes africains ne sont plus seulement des ambassadeurs de leur culture locale : ils deviennent des acteurs centraux de l’industrie musicale mondiale. Cette dynamique encourage également de nouvelles collaborations internationales, tout en inspirant les labels et producteurs à investir davantage dans le développement des talents africains.

Alors que l’exportation de la musique du continent continue de s’intensifier, Shazam s’impose comme un indicateur révélateur du potentiel mondial de ces artistes. Dans un contexte où les tendances musicales évoluent au rythme des réseaux sociaux, cette visibilité accrue est un levier précieux pour consolider la place de la musique africaine sur la scène internationale.

Les pays comptant le plus grand nombre d’entrées dans le Global Top 200 sont le Nigeria, l’Afrique du Sud, la Tanzanie et le Ghana.

Top 10 des morceaux africains dans le Shazam Global Top 200 (1er juillet 2024 – 30 juin 2025) :

  • « Shake It To The Max (FLY) [Remix] » – MOLIY, Silent Addy, Skillibeng & Shenseea

  • « Biri Marung (Edit) [ft. Sje Konka, Focalistic, DJ Maphorisa, Scotts Maphuma & CowBoii] » – Mr Pilato, Ego Slimflow & Tebogo G Mashego

  • « My Darling » – Chella

  • « Show Me Love » – WizTheMc & bees & honey

  • « Calm Down » – Rema

  • « PUSH 2 START » – Tyla

  • « NINAO » – GIMS 

  • « Water » – Tyla

  • « With You (feat. Omah Lay) » – Davido

  • « Jealousy (feat. Leemckrazy & Ceeka RSA) » – Khalil Harrison & Tyler ICU

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