NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Bamako, Mali

In operation since:

2000

Contact person:

Ben Zabo

BIO

Ben Zabo – Le Guerrier du Bwatun, messager d’un afrobeat malien enraciné et universel
Né en 1979 à Tominian, au cœur du Bwatun – territoire des Bwa, à cheval entre le Mali et le Burkina Faso – Ben Zabo, de son vrai nom Arouna Moussa Coulibaly, grandit dans une famille noble où la musique, considérée comme l’apanage des griots, n’a pas sa place. Destiné par ses parents à devenir pharmacien, il choisit pourtant la voie de sa passion, défiant les traditions et les attentes familiales.
Dès 14 ans, il fréquente les musiciens du Bwa Band, l’orchestre local, et se forme à la musique et la scène. Après ses études secondaires à Sikasso, il rejoint Bamako pour poursuivre des études en pharmacie… mais c’est la musique qui l’absorbe entièrement et il s’y consacre pleinement en intégrant plusieurs groupes. Multipliant les collaborations avec divers groupes de la capitale, il affine son style et sa vision artistique.
En 2006, il fonde son propre groupe et intègre le Conservatoire Balla Fasséké Kouyaté de Bamako, où il étudie la musique et les techniques du son. Diplômé en 2010, il devient assistant ingénieur du son au Studio Bogolan, lieu mythique de la création musicale malienne. C’est là qu’il croise Peter Weber, producteur du label allemand Glitterhouse Records, qui produira son premier album Wa Nii Bwa (2012). Ce disque, qui marque le début d’une carrière internationale, propulse Ben Zabo sur les scènes de prestigieux festivals à travers l’Afrique et l’Europe tels que : Festival sur le Niger (Mali), Festival SICA (Bénin), Nuits Atypiques de Koudougou (Burkina Faso), Way Out West Festival (Suède), Oya Festival (Norvège), Lowlands Festival, Africa Festival Hertme, Amsterdam Roots (Pays-Bas), Weltmusik im Palmengarten (Allemagne), Taragalte (Maroc), MASA (Côte d’Ivoire) …
Porte-étendard d’un afrobeat malien authentique et contemporain, Ben Zabo puise son inspiration dans le patrimoine culturel de son terroir natal pour construire une œuvre musicale profondément enracinée afin d’en offrir une lecture moderne et audacieuse. Sa musique est une modernisation créative des traditions musicales Bwa, mêlant avec finesse les rythmes et sonorités ancestraux africains aux instruments modernes. Dans une fusion subtile, Ben Zabo associe balafons, tambours et percussions traditionnelles aux guitares électriques, basse, batterie et cuivres. Le résultat est un groove irrésistible, à la croisée de l’afrobeat, du funk, du rock et des musiques maliennes. Mais Ben Zabo ne se limite pas à l’esthétique musicale : son œuvre est porteuse de messages forts et universels. Chaque morceau est à la fois une fête et un manifeste : il y célèbre l’identité culturelle, la justice sociale, la démocratie, la paix et la cohésion entre les peuples.
Sur scène, Ben Zabo entouré de ses sept musiciens complices est une force vive qui offre un show puissant, un spectacle explosif. Avec communion totale avec le public, une présence scénique magnétique, une énergie communicative débordante, il transporte le public dans un tourbillon sonore et émotionnel avec un groove irrésistible qui fait danser tous les publics. Ses concerts sont des expériences immersives où danses frénétiques, percussions incandescentes, les riffs de guitare, les chants puissants et cuivres endiablés entraînent les foules dans un voyage sonore transcendant les frontières et les générations. Un voyage musical enraciné et universel !
Artiste engagé et fier, le « guerrier du Bwatun », Ben Zabo poursuit sa mission : faire rayonner sa culture et la moderniser, en restant profondément enraciné dans ses traditions tout en parlant au monde entier. Après Wa Maliba (2015), Le retour du guerrier (2020), puis des singles il prépare pour décembre 2025 la sortie de son quatrième album, Bwa Shakara, promesse d’un nouvel élan créatif et d’une affirmation encore plus forte de son identité artistique.
En somme, Ben Zabo, « Guerrier de l’afrobeat malien » incarne la nouvelle génération d’artistes maliens engagés dans la valorisation du patrimoine, les valeurs culturelles Bwa et la promotion d’une expression musicale collective. Avec son afrobeat enraciné dans la tradition, il défend l’identité culturelle, la cohésion sociale et la justice à travers une musique énergique, authentique et universelle.
Discographie
• 2012: Wa Nii Bwa – Glitterhouse Records (album)
• 2013: Mark Ernestus Meets Ben Zabo – Wari Wo / Dana Dubwise – Glitterbeat Records (singles)
• 2015: Wa Maliba – Kôrè Sound Productions (album)
• 2020 : Le retour du Guerrier (EP)
• 2022: Timbuktu Badji – (Single)
• 2025 : Bwa Shakara – sortie prévue décembre 2025 (album)

Music

Ben Zabo - Wari Vo

Glitterbeat Records
05:23

Social Networks and Websites

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