NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

flag-img

Abidjan, Ivory Coast

In operation since:

1996

Contact person:

Magic System

BIO

Originaire d'Abidjan (Côte d'Ivoire), le groupe originel comptait plus d'une cinquantaine de membres (se faisant appeler magiciens) dont les membres actuels : Asalfo ('A'salfo Traore), Goudé, Tino et Manadja (Adama Fanny) et quatre autres membres dont ils puisent leur inspiration dans le mouvement Zouglou, mouvement culturel ivoirien regroupant musique et danse qui permet aux jeunes du pays de décrire les problèmes et les maux de la société dans laquelle ils vivent. Très vite le groupe se divise du fait, non seulement, de son nombre trop important de membres mais aussi et surtout, à cause de la présence de deux leads vocaux (Camso et Alsalfo). Camso décide alors, avec deux autres magiciens, de créer le groupe « Les marabouts » qui n'a rencontré, jusqu'à aujourd'hui, que des succès en Afrique de l'Ouest et au sein de la communauté africaine d'Europe.

Dès 1996, les quatre magiciens se produisent lors de fêtes et d'événements locaux. Ce n'est qu'un an plus tard, en 1997, que sort leur premier album, Papitou, avec le single Momo qui sera un échec commercial. Malgré cela, ils ne se démotivent pas et en enregistrent un second 1er Gaou. Celui-ci sort deux ans plus tard en Côte d'Ivoire et son succès les décide à le faire distribuer en France. Les débuts ne furent cependant pas faciles, en effet, aucune maison de disques ne voulait produire le titre. L'album sera alors entièrement financé par Ephrem Youkpo - journaliste/animateur radio et télé - (initiateur de La nuit du zouglou en 1998 en France et depuis patron du label x-pol music) qui lui croyait fortement à la réussite du projet que lui avait présenté Tony Adams. Suite au refus des majors et autres maisons de disques de distribuer le titre, Ephrem Youkpo cédera, dès sa sortie en décembre 1999, la distribution de l'album 1er Gaou à la structure Sonima. Le groupe fut alors invité à faire la première partie de Bisso Na Bisso, un collectif de rappeurs congolais emmenés par Passi.

En 2001, leur troisième album, Poisson d'avril rencontre un succès mitigé. L'année suivante, le remix de 1er Gaou par Bob Sinclar aura pour effet de relancer le titre datant de 1999 et permettra de faire connaître le groupe au public français. Magic System profite de la vague et sort consécutivement trois autres albums : Un Gaou à Paris (2003), Petit Pompier (2005), et Cessa kié la vérité (2005). Le 2 avril 2012, les Magiciens sortent leur premier best-of intitulé D'Abidjan à Paris avec comme inédit leur nouveau single Tango Tango.

Le 19 mai 2014, le groupe sort l'opus Africainement Vôtre, contenant le single Magic in the Air, produit par RedOne en featuring Chawki2. Le 13 juin 2014, le groupe Bana C4 reprend le titre 1er Gaou de Magic System. Dans le vidéoclip de la chanson, le groupe y fait d'ailleurs une apparition. À noter que la chanteuse K-Reen apparaît en tant que choriste sur le titre

Photos

No photos available

Music

Magic System & Soprano - Cherie Coco (DJ MaZ Remix)

clubdjmaz
05:34
Magic System

Magic System

View Deezer Profile

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media